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Athit Samatiyadekul ᠌ photo
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104 Review
101 Karma

Review on Sony FDR-AX53 Black Camcorder: High-Quality Recording and Stunning Clarity by Athit Samatiyadekul ᠌

Revainrating 2 out of 5

Unsatisfactory quality, I won't buy it anymore.

I bought the camera based on the experience of owning the HDR-SR12 and HDR-CX700. As a result, I was almost completely disappointed. I understand that I myself should have been more careful when buying, but the lack of a built-in drive puzzled me, moreover, already at home. I already bought the camera for ~90.000 (now it costs ~70.000), but in the end it cost me another 10.000 more. For the same reason, I was very surprised not to find a flash on the camera. Manually adjusting the sound recording level unexpectedly simply lowers the volume of the sound being recorded. If the sound is too loud, such as at a concert, overdriven sound will be recorded, but according to the manually set level. Why did it do that is the question. The camera lens is placed in a stabilizer, hanging, apparently, in a magnetic field. Such a funny eye. Not the point. It saves from small camera shake, but if you shoot handheld with maximum zoom, then you need to follow the subject as smoothly as possible, because the stabilizer, when moving the camera, brings the lens in the direction of shooting gradually, with the risk of overtaking it and eventually leaving it outside the frame. Perhaps you can get used to this. Perhaps the next camera jamb is related to the memory card used in it (Samsung, we don’t like each other from the very beginning, but they were the only ones who offered suitable 128 GB cards - it doesn’t make sense to put less in this camera), but very often the camera is not able to show what it just shot itself - it says some kind of mistake, your video is not readable. Very uncomfortable. When transferred to a computer, everything opens and shows. I hope I just haven't figured out how to do it yet, but it looks like the camera still doesn't know how to edit video internally, at least XAVC. For me, this is another big inconvenience. Doesn't record subtitles with date and time if you shoot in XAVC - perhaps this is the cost of the MP4 container. But next to the video file, it puts XML with some data, including the date and time of shooting. There is no place for the rest of the jambs ;)

Pros
  • Pleasantly twitches when turned on, when the stabilizer aligns. I can’t say for sure, but it seems that when shooting in HD, the camera uses the extra pixels of the 4K sensor for additional zoom. Angle-adjustable viewfinder. Can record PCM 48|16 sound. Adobe Audition says 48|32float.
Cons
  • The amount of noise when shooting in adverse conditions is much more than the HDR-SR12 or HDR-CX700 gave. At the maximum optical zoom, the picture is fuzzy. Manually adjusting the audio recording level affects the volume of the recording, not the sensitivity of the microphones. Auto focus very often gets lost, especially when using the zoom - this SONY cant drags from model to model. SONY is once again delicately silent about the fact that 16.6 megapixels for photos, indicated in VERY BIG LETTERS so that it will surely catch the eye, is an interpolated resolution. 5.1 sound for AVCHD only. The voice of the person filming is like from under a pillow - the first time I encountered this in a SONY camera, I always write in stereo. Sloppy assembly - I admit that only my copy. Larger and heavier than the same HDR-SR12 or HDR-CX700. There is no built-in storage. There is no flash / flashlight. For some time now, SONY has stopped installing an on / off switch on their cameras, the camera is turned on by opening the display or pulling out the viewfinder. It is very inconvenient - so that the camera does not turn off if you accidentally or intentionally close the screen, you need to pull out the viewfinder for safety net. Drains battery very quickly - almost twice as fast as HDR-CX700 with similar video format settings. Not compatible with tripod handle buttons, I don’t remember the model, also SONY, bought for HDR-CX700.