In general, for a videographer on a crop, the best lens with a wide angle. Golden mean. Those most cherished 24, without which in any way. The next most popular is 18-105, which when recalculated is 27 wide. This very little is sometimes lacking in native optics. Pros: Everything is great! The best lens in my kit. Particularly pleasant is the manual focus, which does not “skip” focus due to a braked motor, like native 18-105, etc. The lens is compact, albeit heavy. Has cons: Only nitpick. It would be nice to put a manual focus switch on the body.
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