Review on Canon EF 50mm f/1.4 USM lens, black by Toyofuku Hideo ᠌
Good product, more pros than cons.
Because photographers frequently have to choose between this lens and the subject, this model is frequently pitted against the EF 50 mm F/1.8. Both were enjoyable. Initially, I purchased 1.8 and was quite pleased with it; however, he ordered to live a long time and was unable to withstand the impact of falling on the asphalt along with the carcass. I had to return it. Thank Goodness, the carcass was not damaged in any way. After that, I invested in version 1.4. The distinction may be seen very clearly right away. 1.4 is considerably larger and heavier than its younger sibling. 1.4 makes a very faint rustling sound, while 1.8 buzzes like a bee. The focusing speed of 1.4 is slightly quicker than the focusing speed of 1.8. One cannot use the word "instantaneous" to describe it. The sharpness of 1.4 is noticeably higher than that of 1.8, particularly at apertures smaller than F/3.2, although chromatic aberration is almost nonexistent with 1.8. With aperture 1.8, the bokeh pattern is rough and takes the shape of pentagons; in aperture 1.4, it is practically spherical, which is something that cannot help but make one happy when shooting during the day. Both lenses require a minimum distance to the subject that is equal to 45 centimeters. This is one of the most significant challenges that macro photographers face, particularly when combined with a short depth of field. It's incredibly simple to overlook anything when you're using your hands. The outcome, on the other hand, will shake you to your very core if you utilize a tripod and even aim through the live view mode. The sharpness in the region that is in focus is really penetrating. When attached to a camera with a cropped sensor, this lens assumes the characteristics of a portrait lens. At this very moment, he is serving as a member of the staff, which is a position that is very deserving of him doing so. Pictures that are included as examples in the profile
- I believe that the luminosity is the most significant benefit that comes with using this model. It is two stages higher than the very low-cost option of fifty dollars, which is the 1.8. She is the one who makes it possible for you to capture images without the assistance of a tripod practically as late in the day as it gets. She is responsible for the lens functioning flawlessly despite not having a stabilizer attached to it. In addition, if there is a little bit more light than there was at nightfall, you will be able to reduce the ISO level, which will prevent grain from appearing in the photographs. Autofocus that uses ultrasonic drive is not only very accurate but also completely silent. This makes it a very convenient feature. Another advantage is a gorgeous bokeh pattern, which is achieved by using a shallow depth of field in conjunction with the correct shooting parameters. The option to manually alter the focus without having to exit the autofocus mode altogether will be another wonderful little thing that will make the challenging life of an amateur photographer a little bit more bearable. Sharpness. Although it can also be linked to the qualities, sharpness is more commonly thought of as a property of the lens itself.
- The model has a limited number of flaws, but those that are there are substantial. The cost should always come first and foremost. I paid sixteen dollars for my copy. Chromatic aberration is the second problem that can occur. It's some kind of a nightmare, that's all. Any region of the frame that contrasts with the others lights purple. The use of this lens should therefore be avoided when photographing landscapes, particularly on bright days. Unless you reduce the size of the aperture, that is. Despite the fact that the contrast was not particularly strong, even a full-length photograph that was taken outside during sunny weather was affected by a purple glow. On the other hand, straightforward photos that feature seamless color transitions look just fantastic.
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