Review on Enhance Your Audio Experience with Sony WH-1000XM4 Wireless Headphones and Knox Gear Mount Bundle by Anastazja Socha ᠌

In general, a very unclear impression of the value provided by the goods for the price. Shumka smashes technogenic noises (airplane, distant sound of a perforator, noise of pipes, sound of rushing water, traffic noise) (airplane, distant sound of a perforator, noise of pipes, sound of flowing water, traffic noise). Crushing a voice to silence is a considerably more serious offense, however this also varies depending on the voice. Sound. in a few spots, it pleasantly surprises with how good it is. There are some particulars that are portrayed very nearly correctly. In certain other arrangements, it can be quite painful. Some of the tracks are completely destroyed as a result of the gap at the beginning of the high-frequency spectrum. While you sit there, it dawns on you that the tune has become quite monotonous. The bass has a luscious appearance, but it can't keep up with the complicated arrangements. If the upper section of the middle range and the upper bass are combined in the composition, then the bass will be muddy, and this is true even if the instruments are separated well. At this very instant, there is a sense that the speaker is unable to fill the interior volume of the cup, and the sound appears to be dispersed across the surrounding area. There is no longer any pressure. A sensation similar to that of some emptiness. unable to adequately cope with the representation of sound on its "fall" Take, for instance, the song "Gotta Go" by Monoplay; if you listen to it, you will notice that the bass guitar detail has been significantly reduced. Those. The pressure is being increased successfully, but the rebound of the string is becoming increasingly unclear, and you are no longer able to sense the vibration of the string and the metal it is made of. The bass takes on a synthetic and impersonal quality (in comparison, for example, with audio technica m50x - there, of course, there is a wire, there is no noise and it is tactless to compare head-on). Because of this, I would give the sound a score of 4. But not terrible in general. Compositions, for instance, that feature bass reverb, are transmitted surprisingly successfully in some locations. And you are already totally perplexed as to why this blurring and emptiness manifests itself in some locations. Even though I am familiar with the track, it is difficult for me to anticipate how he will play it. This is the primary challenge for me. You listen to something, and it causes you to become very upset, whereas in other tracks, you are unexpectedly surprised by the clarity with which the instruments are drawn.