Pros below: I already have two lenses of this series, which are simply indispensable for my work, plus I managed to hold and test almost the entire ART line at different times. And, frankly, if I had more extra money, I would buy them all) But if it talks about the new 24-70 art: the lens is sharp, tenacious. I did not notice any vignette (dark edges), distortion. The picture is very nice. It doesn’t front, it doesn’t smear even in the conditions of a wild reportage: this is when I run, the models run, and everything around is on fire. And this is without a stabilizer in the lens, by the way) It is made of super high quality, in a metal case and looks solid and impressive: for those photographers whose customers draw conclusions from the appearance of the equipment - just the very thing) Its cons: Of the minuses, I have everything as always) The lens is decently heavy - 1070 grams. It's hard for girls. Also, I'm not a fan of "trunks" - a retractable front lens during zooming. Plus, despite claiming dust and moisture resistance, I still worry that the lens will collect dust due to constant opening. I like monolith much more. Well, still the price) So far it is 83900. The price is higher than the "native" Nikkor lens (I shoot on Nikon) by almost 10 thousand without a stabilizer, but 40k cheaper than a Nikkor lens with a stub. Yes, it sounds expensive, but it is quite possible to replace your entire fleet of lenses with this fast lens, since nothing else is needed)
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