Someone has written that plastic is detrimental for the environment. It's even nice, it's light, and when used with the Mark 2, you don't get as fatigued as you do when using the 85 1.2. When taking portraits, I utilized a wide variety of lenses, including 50 1.2, 85 1.2, 85 1.8, 200 2.8, and helios. Long dithered back and forth between picking the score of 85 1.2 and 135 2.0. As a portrait painter and, on occasion, a wedding artist, the price of $135 was one of the factors that drew me to the listing. I used the 85 1.2 and was quite happy with both the drawing and the working 1.2 hole; but, it is very pricey and heavy, and I did not like the proboscis on it. After spending a lot of time reading the reviews, I came to the realization that 135 millimeters is the perfect distance for me. Not only are the studios more spacious, but the streets are as well. You never know, maybe you'll get lucky! And that was the right decision on my part, as this lens is far too flawless for me to be able to write about its flaws, as there are none other than those related to its appearance. They also talk about the lens hood in this section; nevertheless, I can affirm from personal experience that this is not a disadvantage but rather a price to pay for the design. I didn't really understand it because I spent most of my time hiding away in my closet. I can't find the lid, and there aren't any scratches on the glass because I don't use a filter with it. If you are a portrait painter who places a premium on the picture's overall quality, then this is the right glass for you. You won't be able to ignore the razor-sharp focus, lightning-fast speed without any lapses, vibrant colors, dramatic contrast, delicate shading, and intricate design. This is the same button that is considered a "masterpiece," but it is made of glass =)
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