After reading the remarks made by other individuals, I feel compelled to point up the following: "That just doesn't sound right." Many users simply started to hear in the recordings what was inaudible with other acoustics, and they also started to simply understand the difference in the quality of the recordings (and I want to point out that the same quality recorded SD 20-30% in the best case, and the rest can hardly be called quality records). For instance, the lows are not present if they are not present on the recording; if they are, then they are extremely good lows (they do not artificially boost them up like many other inexpensive speakers); People who complain about the sound coming from various types of music centers, audio computers, and entry-level Yamaha Pioneers should be aware of the fact that these sources are genuine and can only produce sounds of that nature, and there is no way for acoustics to alter this; They claim that "certain musical styles sound, while these do not sound." It's unlikely that I'll ever convince America that music subgenres like heavy metal, for example, contain work that starts out sounding horrible. Due to their resistance to the "trash" that such music produces, the sound may appear to be acceptable when played over subpar speakers, such as those used at concerts by such bands. And naturally, it won't sound through speakers that reliably transmit the recorded material with all of the obstructions and jams that are there. Take a really good test disc, one that is even better than the classics, compare the two, and it will be immediately apparent what and how it sounds. This is a simple illustration of the points made above. * For myself, I went through a number of different test CDs before settling on one to use for DALI acoustics (the 1st one, 4 of them have already been released - I recommend it for tests). These speakers produce a tone that is wonderful when playing traditional music. Something you absolutely, positively will not receive on other columns that are meant to be "excellent." A further point that I would want to make is that the only way to accurately judge how something sounds is by listening to "live" music. We went to the concert, sat there, and listened—all while there were no microphones! And then after that, they compared how the same thing sounded on your music system. Whether you like it or not, everything else is the result of the efforts of the sound engineers, the sound of the equipment (at a concert or in the studio), and just your own personal sentiments and performance.
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