For a long time I shot on crop, I started with 1100 d, then 550 d, then 60 d, 70 d, 7 d. It so happened that one camera was mine, the other at the institute, the third in the editorial office, where I worked as a correspondent. And there were crops everywhere. And so I decided to take a camera for weddings better than 60 d, with which I worked at that time. In a crisis, the choice, of course, was limited only to models up to 100 thousand, and this is 7d mark 2 and 6d.
After a long reading on thSee full review