On one photography forum, I highlighted this lens by focusing on a branch. Hooked. I deliberated, assessed (see plastic, price). The need for a quick remedy in the collection won out. The enchantment is effective; from now on all amateur photographers will use fixed-focus lenses. In favor are: Freedom. That is true independence. The usable f/1.4 aperture lets you shoot without worrying about overexposing your subjects when shooting indoors, even in low light or with a flash. In theory, you could do portraits, landscapes, and even macro (due to excellent resolution). No longer think about the colorblindness. You won't find it even if you try. The output is, in 99% of cases, an accurate representation of what you see with your own eyes, which is the biggest benefit when discussing landscapes. magic. Inadverse aspects: A plastic shell, most likely. Having experiencing the mild 85 1.2L, I now approach this sort of material with extreme caution. In truth, I don't anticipate any issues, or at least none that are more severe than those associated with any other letter "L." The load? It's ludicrous to go with a 70-200 2.8 ii after weighing in at 1.5kg. There is also 16-35 ii, which is more convenient in terms of performance attributes; nevertheless, the difference between the two is negligible on the carcass, and the 35th may even provide a more accurate weight distribution. Absolutely, and it's clear from all the plans that we need to make the jump to iii, and the two systems are roughly equal in terms of mass. Vignette? A range of 1.4โ3.5 does exist. In dpp4, a single profile click takes care of the problem. There was a failure in the back-to-front focus to zero. I had to make a minor adjustment to the carcass (-2).
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