one of the few lenses that I have purchased that I have been pleased with from the moment I opened the box. you are able to shoot practically everything, including news, the city, landscapes, and portraits if you make an effort. Because the minimum focusing distance is relatively close, it is possible to take a picture of the subject. a perspective that might be summed up as "when in question whether to take it or not to take it, take it without ambiguity." Sharpness is one of its strengths. Surprisingly, the lens has an excellent capacity for picture-focusing. swift and spot-on accuracy After 50/1.4, he had the impression that he had moved from the dimensions of a Cossack to those of a Ferrari. because it is not significantly bigger than the Kenon half-tone, you may take it with you wherever you go just like an everyday lens stabilizer. It makes its presence known, particularly when working in low-light circumstances. The following are some of its negative aspects: - front lens. My personal opinion is that it is too "convex," and it has already managed to make a little scratch. Hence, I wound up having to use a protective filter that I detested. -price. I wouldn't say that it is a disadvantage, but all the same, the lens is extremely nice, but it costs more than twice as much as a 1.4 half.
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