Since switching to a full-frame Canon 6D Mark II from a cropped Canon 650D, I've been thinking about branching out into portraiture in addition to the landscape, travel, urban (URBEX), astronomical, and reportage photography that I now specialize in. As I just have a few years of experience with photography, I only shoot in M or B mode (for ultra-long exposures). Theme park for the eyes: To wit: EF 24-105 F/4L IS USM A version of the EF 70-300mm F/4-5.6 lens. III 2.8-aperture, EF-15 Fisheye New Hellios 44-M4 (58 mm F/2-F/16), Sigma 15-30 F/3.5-4.5 EX ASPHERICAL IF DG The revolutionary Jupiter 37A (135 mm, F/3.5 - F/22) Of course, I could have just as easily taken the first six off your hands, and in all likelihood, I would have saved a great deal of money on this and would have lost a little bit. However, I really wanted to take a brand-new, state-of-the-art camera, and in that respect, it completely satisfied me. Raw files are gorgeous (I shoot only in them), ergonomics, and a top screen that I find personally useful. The rotating screen is essential for landscape photography, and the camera also has excellent LiveView autofocus and good depth of field (DD) if you approach photography with your head. These characteristics are what make this camera unique. One of the most notable changes from the crop is that the 1.6 crop factor is no longer in effect. This forced me to broaden my perspective, but it was too much magnification for my telephoto lens. Yet, the resolution is high enough that cropping the image itself can be done in a pinch without sacrificing too much quality. Large megapixel counts are unnecessary for online use. When shooting in full frame, the depth of field and the bokeh created by older equipment were more apparent. It's very clear that professionals aren't the target audience for this camera; rather, it's designed for hobbyists like myself, who can benefit from its great full-frame capabilities, state-of-the-art technology, and user-friendly interface. All assertions of its existence may be traced back to the consumer's ever-present urge to cut costs and stock up on more goods at a lower price. Furthermore, I would like to emphasize that the camera is only a tool that allows us to make the final product, which is a photograph; however, the worth and significance of the photograph are solely reliant on the photographer and nothing else.
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