Protective LensCoat LC702002BK Canon 70-200 f/2.8 IS II Lens Cover in Realtree Max4 Review
30
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Very good
Media
Details
Brand | LENSCOAT |
---|---|
Color | Realtree Max4 |
Material | Plastic |
Item Dimensions LxWxH | 1 x 1 x 1 inches |
Item Weight | 0.25 Pounds |
Description of Protective LensCoat LC702002BK Canon 70-200 f/2.8 IS II Lens Cover in Realtree Max4
- edge clarity has significantly improved when compared to earlier generations, which is crucial for full-size matrices.
- The lens's weight has remained at 1.5 as it was when it was at the level of consumer goods.
- Fast focusing despite weighing only 1.5 kg; Predictable distortion and vignetting; Excellent color reproduction; Excellent plasticity and contrast; Excellent sharpness across the entire focal length range (even at f/2.8 - it really works, albeit with not exorbitant sharpness); - low levels of chromatic aberration (5 low dispersion lenses and 1 fluorite out of a total of 23); - two modes on the superb stabilizer let you to shoot "handheld" in low light; - durable (metal and glass), watertight construction.
- instead, this fantastic lens's features: Cons: - heavy, especially when paired with 1Ds Mark III (a set almost 3 kg. ); - slightly "green"; - pricey filters (77 mm); - decently "plants" the battery (focused on a kilogram of glass and a working stabilizer); Taking shortcuts on this lens is not an option; they are absolutely necessary.
- Basically, I'd just say "good glass" in the broadest possible sense.
- He's going to be heavy if you have to hike all day with him.
- After a three-year hiatus, my filmmaking skills have declined and my equipment has become increasingly clunky.
- In general, the lens's periphery becomes cloudy, much like a monocle, though not to such an extent; well, no one could fix it in Hong Kong; in Hong Kong, a lens block was replaced for under 60,000, plus shipping and insurance.
- Tone, depth, and clarity
- no.
- No matter how many times I go back and read the exam reviews, not a single one of them praises him. Because of its sharpness, color reproduction, and rapid autofocus, this is the optimal option, and the expenditure of financial resources is not wasted.
- Dimensions (well, it's huge, especially with a hood, and it's hefty), and outside (well, the white color does not tango with the carcass);
- 1) A barrier against dust and moisture.
- after sigma 150-500, It has been said that fixes are superior, but if I had to choose between a set of 85 1.2 and 135 2, I would go with the 70-200. For the 70-200 2.8, I was concerned that it would have the same technical frame as the 70-200, but it did not.
- Superb mechanism for maintaining equilibrium a level of sharpness comparable to that of fixed lenses even when the aperture is wide open Pure and unadulterated hues Bokeh that is smooth and creative Focusing speed
- Didn't find
- Sharpness, depth of field, bokeh
- The weight
- Metal, dust and moisture protection.
- It has no shortcomings,
- 1 Auto focus 3 Picture and everything!
- Maybe a bit pricey compared to Sigma or Tamron, but worth it
- Canon EF 70-200mm f/2.8L IS II USM! Picture, stub, weight, color, size, ergonomics, 1/6 from the hands is almost real, but it takes practice. 1/20 - no problem at all! Test shots without processing and on the run, paired with a Canon EOS 5D Mark III: http://fotki.
- Slight play along the bayonet axis (not critical) As soon as you pick it up, you immediately understand that this is a serious, professional instrument.