I have a lot of experience in photography. Studio subject photography. Worked with lenses: 18-55 kit The first version without a stub, it was included on the Canon 20D. The lens survived 2 cameras 20D and 500D and still works. I didn’t like 17-40L at all, I worked on the second penny. I took off my clothes in the layout, when you set a certain focal length and tilt the camera down with the lens (the clothes lie on the floor in the background) and press the sharpness button acomuple of times, the trunk falls out under its own weight changing the focal length. Chromatite as 18-55 whale. Distorts 24-70 4L - I hate trunks 50 1.4 good lens 70-200 4L is good, did not take root on the crop. 100 mm f/2.8 L IS USM Macro My favorite lens, I absolutely love it. EF-S 24mm f/2.8 STM For a long time I was looking for the right focal length, high quality and light, and now I found it 24mm STM ! It doesn’t play, it doesn’t stick, it’s sharp, tenacious when adjusting for sharpness, the sound of the focusing motor iscomol. Sharpness at high ISO is amazing Small barrel, no bigger than 17-40L. waiting for Camera RAW for editing. Photos taken with this lens Canon EF-S 24mm f/2.8 STM - Photos without processing - jpg, just downloaded from a flash drive aperture at all 2.8 Chromatics are practically NO! Look at the wires! There is no lens profile on the camera, so the camera does notcomrrect distortion, XA and vignette Really dumb HA sometimes appear IN OVERLIGHT PLACE, especially if the same branch or black line is in blur. I had such 1 frame out of 1000.
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