In general, a well-assembled device without marketing compromises on the filling. Everything a hobbyist needs is in it. But don't expect a huge improvement in image quality. Compared to the initial DSLRs, the improvement will mainly affect ease of use, functionality and performance, and the video, of course, is at its best. For a pro or just the owner of a modern full-frame camera, it makes sense to look at the 70-ku either because of the rate of fire or because of the video. In short, only because of some highly specialized, but very necessary characteristics. Personally, I was extremely attracted: large viewfinder, working ISO 6400, rate of fire and video. I often shoot indoors in winter: sports training, holidays, etc. With a fast zoom lens at F / 2.8 and a shutter speed of 1/250, even dynamic scenes turn out to be quite decent quality. ISO 12800 is an extreme, 25400 is only in RAW and for printing 10x15, and then after a lot of processing. For the web, it will go with a stretch: when you reduce it to 1200 pixels horizontally, you can still see either noise or details eaten by noise reduction. If you squeeze more, it becomes tolerable. Tested theory about noise reduction when using mRaw and sRaw formats. At high ISOs, the noise does not decrease. On the contrary, the picture is blurred and the details that were in the large RAV are lost. It makes sense to use them only to save space on the flash drive. Moreover, pure RAW writes in a series much faster than mRaw or sRaw, which indicates that the camera uses image recalculation algorithms - a common downsampling, but it also takes time.
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