Review on Sony MDR-1AM2 Earphones, black by Adam Kaniuk ᠌

In point of fact, this model has nothing to do with Sony's Z line, which, in my opinion, consists of their only headphones that are adequately adequate. This model has nothing. The sound that can be heard here is primarily the legacy of the additional bass line. To be more specific, there are a lot of low frequencies in those tracks where they are very much, and despite the fact that they sound very delicately for an adult, there is no monitor sound close there; the bass muffles everything. This is especially true on good sources that have an amplifier; through the balance, you can feel the movement of the strongest vibration of the diaphragm from the bass. When it is used for the first time after warming up, the middle screaming is reduced, but it is still a long way from being ideal, or at the very least from its nearest competition, which is msr7. Straight down into the garbage can. It can be heard particularly clearly in 24-bit DSD recordings. It's not that they don't lose 100,000 Hz; in fact, I don't even think there's a loss of 20,000 Hz. As usual, Sony has a marketing duck under its sleeve. At first appearance, headphones appear to be incredibly comfy pieces of equipment. They simply do not hit the nail on the head. But after that, the inner lining of the ambrochures starts to crack, folds form, which tickle and cut your ears, the ambrochures themselves are also of poor quality within an hour 2 sag, and the whole ear, especially the left one, in view of the greater pressure due to the input for the wire, knows all the pain from the pattern of Fibonacci sequences. Given the light weight and the lack of a metal plate at the headband, it should be possible for you to gauge your progress and become accustomed to wearing this. In general, the usual model. It's true that these are the best Sony headphones in their price range, but there's nothing else that sets them apart. It is not really clear why there is so much excitement surrounding them.