Initially, oddly enough, I wanted to buy just a good portrait lens (there is an opinion among fujivods that this system is good only for fixes), so I was already going to take one of two: either the masterpiece xf56 1,2 (who knew and loved his drawing of a gentle love), or - rather, even xf90 f / 2, because I already had 16-55 f / 2,8 in my arsenal, which with a stretch solved the same problems as the 56th fix. Plus, I wanted more care in the direction of the television range. Then, having weighed all the pros and cons, I realized that I donβt shoot portraits so often, but one universal glass, suitable for both reportage and portrait, would come in handy. Now I am very pleased with this decision, because. in some aspects, 50-140 as a portrait lens is even more interesting than the 56th one: it washes the background behind the modelβs head just into milk, and here the transition to the blur zone is somehow smoother and more correct.
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