I have been comparing it with the 5D Mark III for several days, trying to understand how much tastier the innovations in 5d3 are. In terms of noise, 1d4 is about the same as 5d3, verified by our own multiple tests, though in the raw 1d4 file there is more color noise that disappears after converting from RAW, then it becomes obvious that the nature and strength of the noise in these cameras are comparable, with negligible ! overweight 5d3. Also, these cameras show a picture of approximately the same level - the rest of the pixel-hunting is not related to photography. Now, not a single camera on the market will give a normal picture already at 25600 ISO, not to mention more, depending on the conditions and application, well, max 12800. Looking for pluses in the crop factor is a thankless task, although the depth of field at open apertures increases, which is convenient for reporting, 16-35 becomes a very convenient super-wide-angle staffer, turning into 20-45mm, but 24-70, on the contrary, loses its versatility, and the viewfinder becomes smaller (although the focus points are more convenient), this is the only thing that upsets at first after ff . But getting used to the new viewfinder is a matter of a couple of days. Autofocus settings in 1d4 are hidden in the menu with user settings, and in 5d3 they made a separate menu for them, which is more convenient, but 1d4 also has the ability to fine-tune the autofocus operation. A high rate of fire is also useful in wedding photography and even in some artistic scenes, not to mention sports) I really like the ability to record voice notes, so that later it would be easier to identify what and where I shot) In general, the camera is excellent, even despite the frightening small crop in which even there are pluses.
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