Connected to SMSL AD18, I listen to flasks via BT. Literally two words about the amplifier, he took the MicroLab acoustics, as in an advertisement for an inexpensive one, but after listening to serious compositions through the MicroLab, it began to take out the brain, which was the reason for the search for a decent micro acoustics. They, SVS, of course, are a little bit bigger, they already weigh an order of magnitude more, but. they also fit well into a desktop installation. I listen to music mainly as a background track. There was a bass and what! The stage moved apart, as if a veil of cobwebs had been brushed off from the ears, the HoneyMoon Lana Del Rey composition sounds like a whisper shimmers around the room, the space and the whole palette of sound are different, a specific middle, soft enveloping bass with a claim to leadership, a piercing high, but perhaps its could have been more. KiSS Charisma seemed to me a little bit scattered in the middle, there was a lack of highs, the bass is in the lead. BeatLes - everything is fine here, unless you note the crystal clear perspective. David Bowie's compositions come with rich mids, clear highs, good bass, and mids lead. Dan McCafferty's ballads sound voluminous with a wide spatial perspective, it's on the table, the bass is in the lead, but Den is everywhere and always sounds very rich! It may be a feature of the amplifier, but, indeed, I donβt hear 20,000, although there is definitely a top and the Americans in SVS guarantee more than 20,000, but I miss it a little, there was no comparison on MicroLab and 10,000, again IMHO. In general, for now, like an elephant with a candy, it is beyond praise, take it boldly - such acoustics will serve you and your son and grandson.
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