📺 FEELWORLD FW279S: 7 Inch Ultra Bright DSLR Camera Field Monitor with Daylight Viewability, High Brightness, Full HD 1920x1200 Resolution, 3G SDI and 4K HDMI I/O Review

Very feature rich but the real benefit is the brightness this screen offers at this price point. Can control your outdoor shot in full daylight. The construction looks solid. We look forward to testing it over the coming weeks to see how it performs in a typical production environment.

I did a lot of research before I decided to buy this monitor and I am very satisfied with its quality. In terms of brightness and capabilities, it easily competes with screens three times more expensive. I look forward to many shoots with it. UPDATED: Recently captured in broad daylight with the sun directly on the monitor. The screen was bright and super clear. The best field monitor I've ever used.

Excellent image quality, brightness and many features. I would have liked the menu system to be a bit more intuitive, but what I liked most was the cheap plastic case. I would easily pay more for something more durable. I use this monitor with my BMPCC4K. The monitor is housed in a SmallRig cage, which is great. No vision problems on bright sunny days and no need for a sun visor.

I was looking for a larger display for my Canon c200. Since some important features such as LUT and waveform are only transmitted via SDI and not via HDMI, I decided on this monitor. Although it's very light and handy, it has great features like false colors and waveforms. The image is more than bright enough to see in full sun. Good buy.

I work professionally and occasionally. This monitor is really ultra bright. I used the HDMI version under the midday New Mexico sun with no problems. It outperformed the Monitor three times in cost. I liked it so much that I bought the SDI version. Sure, there's no touchscreen, but the price and performance are second to none if you want a super-bright monitor. I ordered a nice monitor lizard cage ($60.00) and now I have several 1/4's all over the cage.

I shoot outdoors most of the time in bright sunlight and on a gimbal. After a long search for the brightest monitor I can buy at the best price and with no bezel, I found this one! My buddy bought one and after using it I was sold so I bought my own. Extremely bright and a stunning size that's still light enough for your setup but doesn't feel cheap. It's feature-packed and I'm glad it has HDMI and SDI (we were on a shoot with the Phantom and needed a better monitor than the built-in one so it…

I ordered this product on February 14th and received it on February 15th. george washington We worked under 2 feet or more of snow, in temperatures from 0 to 42 degrees, often with wind chills as low as -16. We shot in rain, snow and sleet. We often had to walk to our "sets", climb hills, descend steep slopes to the Hudson River and carry a piece of gear on every ride, this monitor was a champ! The Freeworld FW2795 7" Ultra Bright Monitor worked flawlessly. Of all the on-camera monitors I've…

I am a professional cameraman and occasional cameraman. This monitor is really ultra bright. I used the HDMI version under the midday New Mexico sun with no problems. It outperformed the Monitor three times in cost. I liked it so much that I bought the SDI version. Sure, there's no touchscreen, but the price and performance are second to none if you want a super-bright monitor. I ordered a beautiful monitor lizard cage ($60.00) and now I have several 1/4's throughout the cage.

I have a BMD Ursa Mini Pro 4.6K camera. A factory monitor costs between $1,500 and $1,700. depending on where you buy it. Yes, you can control the camera from its touch screen, but is that really necessary since I can control the camera from its many control surfaces? So I bought it for about $400 not expecting much. Wow! I was surprised by the picture quality. Simply unbeatable for the money. You can easily use it to focus as it has built-in focus assist and the image quality is excellent. If…

I ordered this product on February 14th and received it on February 15th. Then I traveled to upstate New York to begin production on a pilot for a new television series about a young George Washington. We worked under 2 feet or more of snow, in temperatures from 0 to 42 degrees, often with cold winds as low as -16 degrees. We shot in rain, snow and sleet. We often had to walk to our "sets", climb hills, descend steep slopes to the Hudson River and carry a piece of gear on every ride, this…