You will need some time to acclimate to and become accustomed to the distortion that occurs at the frame's edges, but once you do, you will rapidly adapt to this. Especially if you are a working photographer who dislikes reading reviews and analyzing ratings, this is something you should consider. Before that, I worked as a freelance photographer and used a 24-105 F4 lens almost exclusively for more than 5 years and a 24-70 F.4 lens for around 4 months. As a member of the 24-105 staff, during the course of time, even after cleaning and correcting, he started to miss and soap, which is a situation that is very uncomfortable to rake and watch later. In addition, comparing it to the second edition of the 24-70 F4 is pointless and absurd. It's like comparing the American automotive industry's miraculous turnaround to a sleek new import from another country. You can ride on either one, but a "foreign automobile" will provide you with superior service and a more pleasant experience overall. Every day, I shoot a report on the 24-70 F.4 II, and after that, I switch to the 24-70 F2. When the 8 II was first released, I thought it was quite crisp and quick in comparison to the 24-105, but my opinion has now shifted. 24-70 has been running without a hitch for the past two months, and there have been very few missed opportunities. As a consequence of this, I end up doing less takes throughout the series since I know for certain that the frame is present; as a result of this, I don't have to stop the shutter and I spend less time parsing.
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