I contrast them with a component set that is currently available for approximately fifty to sixty thousand dollars (VCL Denon 720 + columns Dali Censer 3). In my perspective, triphonics have a more pleasing sound. The highs are less brittle and more expressive than before. The satellites have a particularly strong grasp on the middle ones' implementation. Additionally, the bottoms are handed over to the sub. However, none of this is redundant with the other. As a result, it would appear like the voice comes from the satellites in a very clear manner, yet the bottoms seem to come from an entirely different location. This results in the creation of the effect of presence. As though in fact the performers are physically located in a variety of distinct locations. While I was listening to the first day, I took it for 32 thousand. It's looking good to me thus far. Even including the component set is something I don't want to do at this point. It is also very important to me that the sound quality remains high even when the volume is turned down. The trifonik, on the other hand, has an advantage of 2 heads in this regard.
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