In order to get from fr 50 to 1dm3, we required a repair. Because of the crop factor of 1.3, there were not many many options available; 35mm was out of the question, but 50mm was also too long. The number forty was selected as the winner. Efr 51mm - excellent. The glass has earned a lot of praise from me. Of course not the L series, but the picture has a high level of clarity, sharpness, and saturation. The autofocus performs flawlessly and practically does not blur at all. It would cost an entirely different amount of money to have an aperture of f1.8 or 2, but the aperture is too narrow for any kind of bokeh-related pampering. The weight is another really great aspect of the product. 1d is already quite heavy, but when added to 70-200, it becomes the equivalent of a kettlebell weighing 3 kg. Thus, glass that weighs 130 grams is nothing but a joy for me; in fact, I don't even want to take it off. By the way, it looks extremely fashionable on a large one; in fact, I didn't even anticipate that it would seem so well-balanced. The cost is the primary source of this problem. It is mentally challenging to come to terms with the fact that anything that cost 5 lira before the currency surge now costs 10 lira. As a consequence of this, an outstanding fix using a non-standard fr. People are also happy with it on FF. On a 1.6 xs crop, how does it manifest itself, and is it necessary? For me, it is the ideal replacement for half a toss. Nevertheless, if he is content with his fr, then you are free to take it if you so choose. Constructed using high-quality materials and resulting in a picture that appears to be significantly more expensive than its actual cost. Excellent glass!
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