Review on ๐ท Sony SEL F 2/28 E-Mount Sony Objektiv: A High-Performance Lens for Stunning Shots by En Core แ
Reliable purchase, guaranteed to be a good one.
The lens in terms of price-quality ratio turned out to be very good! I love him, even despite the shortcomings)) I just made friends with them and they donโt bother me. I bought it because of the lack of normal zooms in the system. Since then, he has become my staff member, and I have never regretted the purchase. A bunch of 28/2.0 + 55/1.8 is just a bomb! Added: He showed himself well when filming the Milky Way. I note that it has light transmission according to DRL measurements Tstop = 2.0, which not every Zeiss can boast of. Sigma has 24-35 Tstop = 2.2-2.3. This means that more light enters the matrix and, accordingly, there will be more signal. The drop in sharpness is offset by high ISO and noise reduction. There is a coma in the corners, but if you do not engage in pixel peeping, it is completely invisible. For amateur purposes, if you do not glue panoramas - everything is very, very worthy. Loved him even more))
- -Very light and compact. - The design is very good! It's nice to have it in your hands! Feels like either metal or very high quality plastic. - The price does not bite at all - Excellent, one might even say magical, drawing on the open - it's a pleasure to shoot portraits with them! - Fast, quiet autofocus (on A7ii) - Added: Surprisingly good for amateur astrophotography (more on that below)
- - No focus bar - Sharpness - in the far field it is frankly weak, in my copy of the aperture up to F / 6.3-F / 7.1 - conditionally working. And this is even for a not at all picky amateur photographer like me. I try to shoot landscapes on F9-F11. In the near field, everything is fine with the open. - Color reproduction compared to Zeiss lenses, in particular 55 / 1.8 is noticeably worse. You have to stretch the colors and contrast in the developers. But if the micro-contrast of the lens is initially not so good, no programs will be able to make candy. - Distortion. She's obscenely huge. Of course, everything is corrected in the editors and automatically in the camera. For landscapes, everything is fine, but (!) if you shoot people and they are located at the edges, this greatly distorts the faces. And of course sharpness suffers. Therefore, I try to shoot people as close to the center of the frame as possible, and for large groups I have to turn off editing and put up with distortion
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