The sound in these headphones is modeled in such a way that the listener can hear all the features of the reproduced material. Imagine a microscope - yes, it is very interesting to look at something small in it, but it is also very painful to look through it at the sun. If on live recordings with minimal processing, such as: symphony concerts, vocals, the sound becomes more expressive, but, unfortunately, not natural, then when listening to recordings that have undergone studio processing, you will be repelled by especially loud high frequencies. Thus, for home listening, these phones are no good, unless, of course, you are a fan of the equalizer or piercingly painful high frequencies. But for studio use - this is a great option. You can also solder a filter to get rid of high frequencies if you don’t want to use EQ, but I didn’t do this, as these buyers turned out to be quite heavy for me to spend all day in them, and I put it back in the box. Although I do miss them sometimes. After a long search and sorting, I settled on the HD58X - an ideal case for me, in terms of sound, in terms of materials and weight, and in terms of price. Yes, the sub-bass is not as deep as you sometimes want, but for me it's not critical - I grew out of the "meat" sound. You can take the HD560S instead of the HD58X if buying from the hands or through an intermediary from overseas is not for you.
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