Review on Canon EOS SLR Camera Lens EF 24-105mm f/4 L IS USM by Alvin Lee ᠌

I've read that many seasoned photographers have found issue with this glass, which has left newbies like myself confused. I often stress to newbies that this is a fantastic glass. I use a Canon 500D, and the quality of this lens is incomparable to that of a whale's eye. Those. There's a sense that two cameras are being used. The lens has a smooth design, a fast focus speed (almost never missing), great hues and contrast, a reasonably large aperture (relative to a whale), and a stabilizer that doesn't get complaints. This is a high-priced piece of machinery, yet it serves its purpose well enough. I'll add that the lenses in most cheap cameras are as filthy as a whale's intestines and should be replaced as soon as possible. The 24-105 f/4L is an excellent alternative. Between this and the 24-70, ps choose this. I found that a stabilizer and FR are superior to aperture for non-studio shooting situations like those encountered on the street. After a year of regular use, the sensations from this glass have only improved. Careless use over the course of a year resulted in the lens being banged against a variety of obstacles, subjected to sand, and soaked on multiple occasions. Nonetheless, despite this, the damage is little, consisting just of a scratch on the focus scale's window. There is not a speck of dust anywhere, and not a single creak can be heard; it functions just as well as the day you bought it. When deciding between a stub and a 2.8: The Canon EF 70-200 f/2.8L USM is another lens that I regularly employ. Nonetheless, the 24-105 is remains my go-to when shooting at overlapping focal lengths. When the light is dim, especially at FR 70 and above, the stub chooses and no aperture can help. I tried 2 different pairs of XA glasses and this one is superior on FR 24-105 at right angles. You can take confident nighttime and indoor photographs if your camera is equipped with a powerful flash. In addition, the stabilizer allows for a sharp foreground and background in low light with a closed aperture by using a flash and moderate shutter rates. To this day, I maintain that not only is this stunning glass well worth the asking price, but it also has the potential to maximize the performance of any cheap DSLR.