As a result, the sound JBL'evsky predicted is a very strange scene, as if the source is a few meters away from me rather than in my ear; the sound is lacking in detail, a little dirty, and there isn't a lot of separation between the ranges - not terrible, just average, but over 10, I expected it to be better. I'm actually sitting here listening to the same track with a Marshall Mode EQ in one ear and a JBL Live Pro + in the other. The difference is even slightly in favor of the Marshalls, but the Marshalls cost three thousand dollars rather than ten. It turns out that my smartphone supports aptX HD for free. Another one of my examples is the Sony WHH900N, which costs $20,000 and includes overheads as well. JBL Sonys, however, always fall short, even when compared to those that are less expensive. JBL is okay with it, so the bass is rolling and deep and there are no complaints. In my opinion, these headphones are most suited for listeners that enjoy scholarly, blues, jazz, or songs written by authors rather than pop, club, electronic, or heavy music. It won't be good, I guess. Noise cancellation serves no purpose. Three different noise reduction settings, none of which totally muffles the sounds. While switching between them, one fragment is indeed choked while the others are not because, roughly speaking, these three modes are blocking one of three different sound ranges from the outside. When a car is moving, three sounds can be heard: the exhaust, the splash of a puddle, and the tire friction on the road in the first mode. The rest is not shut off; only one thing is. Although the three-level noise reduction that is advertised sounds interesting, it has little real value. THIS IS NOT AN EXCUSE! They are retained by the auricle, just like ordinary earbuds, and do not pierce the ear canal like a stake through the sinner's heart. This is not the location to seek for deep-seated vacuum plugs. The headphones are generally nice, but I don't think they're worth that much money.
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