Review on Sony Planar T FE 50mm f/1.4 ZA Lens (SEL50F14Z) – Enhanced SEO by Kiril Kirilov ᠌

Excellent glass—let's call it the best in its class for 50mm focal lengths—is brilliant, allows you to snap pictures at night in the winter with the help of a diode "stick" of light. I'll start with the mechanics. The casing is made of metal, and it is nice and easy to handle. This heavy "barrel" fits well in the hand, and the hood snugly fits over it. At the same time, the lid can be removed from it. The Zeiss nameplate on the case is appealing to the eye and comforting to the soul. There is a diaphragm ring, but unlike Fujik's rings, it does not have its own life and requires some effort to spin. Although you may detect chromium at an open aperture, which was crucial to me, everything is correct when magnified 400 times in post-production. Very accurate color reproduction. In this comparison, I use the zoom lenses 16-35 GM and 85 G, both of which are readily available. Furthermore, he concentrates quickly enough, unlike his younger sibling 55/1,8, who tends to creep in the dark aimlessly. I photograph food for menus and content at a good minimum focal length. On my second Rke, the sharpness of 1.4 in the center is superb; therefore, for newer models and the A9, it will be more than sufficient. Excellent microcontrast. You probably worry about bokeh the most, but I like it; it's interesting; I used to use a Sigma ART 50mm; there were also various Canon 50mm lenses; everything is fine, but not what I wanted; I wanted sharp edging and in some spots, pleasant cream; it's all here. Bokeh is a question of taste; I enjoy it, but I'll say it again.