Most people will be able to use the lens well, with the exception being portrait photographers who are paid for their work (this category will have to carry fixes, although they themselves already know this). The fact that there isn't a superior tube means that everyone else can, in theory, tolerate paying more for a good tube. The likelihood that you won't need a light filter is very high, so hold off on buying one right now. Because plastic is not the same as metal and because this lens is very expensive, you should not take it into the mountains or the forest. We only have one life to live after all, so you took a steam bath for a month, buried the toad of greed in your spirit, and bought it. majority of the time overexposed. The results of the glass will be greatly enhanced by the usage of flash and a thorough understanding of flash. Even if you don't have a bucket full of remedies, this lens will generally help you solve problems. After making the purchase, the only accessory I'm thinking about getting is a 24-1.4 fixed lens (for photographing large gatherings), not another 16-35 lens, which is good in its own right but in such a wide angle there doesn't seem to be much of a need for it (for those who already own a 16-35 lens - these lenses are like brothers, only the corners are different, they have all the features in common, in general, think about whether you need it - maybe it's And because it is so simple to make a mistake at 600, it is best to use this lens on a penny or no less. Its general "fragility" can be very bothersome at times; you start to question whether you could use something less expensive for shooting (like a 24-105/4 from a whale), especially if you are required to shoot practically for free at the management's request. Moreover, you might start to consider taking something less expensive for shooting (like a 24-105/4 from a whale).
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