For my part, there is just one thing that I want to say: after purchasing the 5D mark II, this lens revealed itself in such a way that there was nothing else close by! Previous to that was (60D). On the old carcass, there wasn't much at all, and even this lens brought in a respectable amount of money, but after purchasing MARKOFBA, lo and behold! Its lens displayed all of its splendor to the user. The only thing I did was adjust it so that it aligns with the 5 mark II standard, and I don't want to see anything else that is more accurate in the reports. This very sharpness can be seen with no stub at all, and it is quite lively and crystal clear from the very beginning (at level 4.0). I don't know, maybe I got lucky with the carcass, but any way, I am quite happy with how things turned out. Especially when seen in a favorable light. It doesn't look too bad with a camera, but it looks terrible out on the street. This is quite interesting! When compared to 17-55 on the crop, this one (24-105) is a lot more chill. Even long-standing clients recognized the change and contacted the business immediately. It's quite good, darn it. There is one negative, and it's not very pleasant; at a wide angle, there is a strong bias (the columns and all the verticals are littered with horror, but it's all treated in RAV). There is one plus, and it's very pleasant. In general, Canon didn't miss when they combined Markovka with this optics when they created Markovka. In addition to that, I got the 70-200 f/4.0 IS USM lens for myself. One thing I will say is that the lens is entirely different. Although they share a nearly identical price category and an aperture of f4.0, these two lenses couldn't be more dissimilar. The 70-200 is superior to the 24-105 in some situations, but when used together, they remind me of a needle and a thread. Even on KROP, I strongly recommend that you go with these optics (24-105), as you will not be sorry you did so. A little more than a year ago, I had the opportunity to collaborate with him!
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