If you are into smartphone video/photography and heard about Moment lenses a few years ago. You've heard of anamorphic lenses for smartphones. If not, we'd like to start our anamorphic journey here. I have several lenses for smartphones including 1.33 and 1.55 anamorphic lenses. I don't want to name so many versions here, because it's not about these brands and models, but about this brand and this model. I was blown away by the looks, range and compression of this lens. It's not cheap in design at all. It flashes light blue and the images are clear. You can tone down in-camera glare by using and pressing specific apps during capture or in post-desktop software. The ratio of 1.55 corresponds to the truth with the naked eye. You can perform precise decompression in the desktop software. Apps don't map the ratio quite right if you're the type of person who likes precision or needs pinpoint precision. If you need exact proportions, there are countless instructions on the Internet. It's simple and easy to set the exact ratio of 1.55. This lens offers more than its price in many areas. It can easily stand next to other 1.55 lenses. It would be very difficult to tell the difference. In low light, this lens shines right next to another 1.55 lens that's not a big brand, so to speak. I am very satisfied and happy that I bought this lens and I hope they continue to make more. By the way, uskeyvision doesn't just produce anamorphic lenses. Try photography with this lens too! Note: I just want to clarify a few points regarding the 1.33 and 1.55 anamorphic factors. Whether lenses for smartphones, cameras, cinema lenses. etc. Compression ratios vary from anamorphic lens to anamorphic lens, regardless of device. You will notice a certain kink or lens flare from lens to lens as well as the ratio. This is what makes anamorphic lenses unique and artistic. Much more than black bars burned into a video image, anamorphic is another attribute of a videographer's facial expression.
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