It takes time to adjust and get used to the distortion at the edges of the frame, but you quickly adapt to this. Especially if you are a practicing photographer, and not a fan of reading reviews and comparing numbers. Prior to that, I constantly used 24-105 F4 on freelance shoots for more than 5 years and 24-70 F.4 for 4 months. As a staff member 24-105, over time, even after cleaning and adjusting, he began to miss and soap, and this is very unpleasant to rake and watch later. It also makes no sense to compare it with the second version 24-70 F4. It's like comparing the miracle of the domestic auto industry with a good new foreign car. Of course, you can ride on both, but on a "foreign car" it is better and more comfortable. I shoot a report on 24-70 F.4 II every day and until 24-70 F2.8 II appeared, it seemed to me very sharp and fast compared to 24-105, but now my opinion has changed. For two months of merciless operation, 24-70 has never failed - there are almost no misses. As a result, I do fewer takes in the series, because I’m sure that the frame is definitely there and I don’t kill the shutter and spend less time parsing.
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