If compared with the EF 24-70 ƒ / 2.8L II USM, then if both are at 50mm and at ƒ / 2.8 (which is open for zoom!), Half-tone merges terribly in XA, in sharpness in general across the field, in autofocus, and in general throughout! It’s worth taking it now only if you like fixes, you need exactly fifty kopecks, high aperture and autofocus. I won’t write about bokeh, colors and pattern in minuses, nor in pluses. Someone really likes it, but personally I consider such people to have never seen truly artistic lenses, which are usually non-autofocus. The background washes strongly, the colors convey well, there is a drawing, but I'm not thrilled. So, I do not recommend this lens! EF 24-70 II and 70-200 II are not much more expensive, but if you don’t need a fix, they will win in everything, and 70-200 also with a good stub, which can compensate for the two and a half stop difference for some ( f/1.2 - f/2.8). : XA are simply terrible not only for a lens of this class, but also for lenses in general, including at ƒ / 2.8. I was shocked for such money. ate: for 2022, the lens is obsolete! Autofocus, HA and sharpness by modern standards are even lower than the baseboard, which was already bad in 2022, when the review was written. If you need autofocus on EOS, choose among 1.4 half-lengths.
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