
Using this clay is much better than using Sculpey III and Fimo, but new formula or not, this material is deadly difficult to condition compared to most clays. If you don't have a pasta machine, you really know what. However, I like the colors. They're preserved when baked, and images on reeds come out much sharper with this tone. I've never felt the need for a pasta maker before, but I think I'll have to bite the bullet and get one if I'm going to be working with this clay a lot. It's a good tone, but working by hand was a bit masochistic.

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