Review on Canon EF 85mm f1.2L II USM 📷 Lens: Perfect for Canon DSLR Cameras - Fixed-Focus Excellence by Adithep Kampanat ᠌

The primary opening in this itty-bitty thing is not, in fact, one of them. The drawing is the most important part. Before deciding to purchase one, I tried out a lens by renting one first. In point of fact, those who are skeptical should choose this testing alternative since it makes the most sense. I made up my mind to buy it after learning that it is perfectly acceptable for them to photograph not only portraits but also the entirety of an event such as a wedding. In general, my viewpoint regarding this lens is that its best qualities are revealed in good light (where the lens will give odds to almost all Canon lenses), and in low light, the situation is as follows: half of the frames are in the trash due to brake autofocus, and the other half are "masterpieces." They say that this is m. B. associated with the second mark, which I shoot, and you can read it here in the comments. In comparison to my 24-70 2.8L, the fixed lens captures more light, has a greater volume, is sharper, and when set to an aperture of 2.8, it provides a picture that is more pleasing to the eye and has more pleasing bokeh. Color and volume are handled with a great deal of delicacy and originality. I didn't want to write a review while I was in such a passionate relationship with glass, but now that those feelings have passed, I think the lens is the most important component, whether I'm working in a studio or out on the street. Yes, it is cumbersome; yes, it is sluggish; yes, it is dull; but, these drawbacks can be worked with; however, it will be extremely difficult to achieve an image similar to his with any other pair of glasses. To the point that even a spectator with no prior knowledge would notice all of these "magic hues" as soon as he sees the end product!