I chose between 16-35 and 17-35 as a landscape painter for the D800. I stopped at 16-35 because of stabilization (which is important when using on the D800) and a sharper picture. The lens is relatively flat at all focal lengths. It behaves best at 24 mm (the edges almost do not lather). On the D800, it is impossible to fully unleash the potential of the lens: the best resolution and sharpness in the center is demonstrated at F7.1, but at the same time soap at the edges (although acceptable). The edges are good at F11, but there is a drop in resolution due to diffraction.
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