
fast fixes of correlated fr for artistic shooting are better suited (for example, 35 1.4, 50 1.2, 85 1.4. but that's what they are fixes for) 24-70 is perfect for reportage shooting, shooting weddings, when you can miss an important shot while changing lenses. yes, as an option to have two carcasses with different fixes - here it’s more convenient for someone. relatively large weight only on the hand - the camera will be more stable when shooting. and the size gives a lot of points to the CSF, which sometimes plays an important role for the customer - there are times when people who are far from photography refuse photographers looking at their screwed 50 1.2 or 50 1.4

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