An ideal reporter for cropped cameras, for shooting banquets, corporate events, half-length, full-length portraits. In shortcomings, they write vignetting, chromaticity, barrel - what do you expect from the width, besides, it is corrected elementarily in editors. But it’s really convenient on the crop - you don’t wipe the walls like with the same 40 2,8, sharp with excellent autofocus - misses are no more than 5% at f 2.8, thanks to the wide grip it does not require adjustment. It is also compared with the "wonderful" 50 stm - on it, even after adjustment with a compressed aperture, there are about 20-30% misses in full-length portraits. But yes, I don’t argue, the background fifty dollars blurs beautifully.
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