Almost complete replacement of 17-55 on crop. Lighter, according to FR almost the same. If the distortions on the SHU were like those of 17-55, there would be no problems with stitching panoramas. Already at 28mm everything is ok. Unlike 17-55, the zoom ring turns smoothly here, but it is located farther from the camera, wider, perhaps more convenient. It replaces a set of fixes in the street, but of course not according to the picture. It is difficult to give any enthusiastic epithets to this full-time and almost indispensable in reporting and street glass. I think that Ide wrote his nonsense out of resentment or bad weather)))
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