Camera Canon EOS 1Ds Mark III Body, black Review
14
·
Average
Media
Description of Camera Canon EOS 1Ds Mark III Body, black
Introducing the Canon EOS 1Ds Mark III Body: Unleash Your Photography Potential
When it comes to capturing breathtaking moments and immortalizing memories, the Canon EOS 1Ds Mark III Body is a powerhouse in the world of photography. With its exceptional features and top-of-the-line technology, this black beauty from the Electronics category is the perfect companion for both amateurs and professionals alike.
Discover the Unmatched Characteristics of the Canon EOS 1Ds Mark III Body
The Canon EOS 1Ds Mark III Body is a high-performance reflex camera designed to deliver exceptional image quality and versatility. Boasting a full-frame matrix format with an impressive 21.10 effective megapixels, this camera lets you capture stunningly detailed shots that truly come to life. Equipped with a reflex (TTL) viewfinder and a Canon EF lens mount, it offers precise composition and seamless integration with a wide range of lenses for creative freedom.
Unleash Your Creativity: Similar Products Just Can't Compare
While there may be other options in the market, the Canon EOS 1Ds Mark III Body stands out from the crowd with its unbeatable performance and reliability. Its advanced technology, combined with the absence of an image stabilizer, ensures that you can push your creative boundaries without any compromises. Whether you're capturing breathtaking landscapes or vibrant portraits, this camera excels in delivering professional-quality results that exceed expectations.
Empowering Your Photography Journey: Who Will Benefit?
The Canon EOS 1Ds Mark III Body is a true game-changer for photographers seeking to elevate their craft. Whether you're an aspiring enthusiast or a seasoned professional, this camera is a valuable tool that can unlock your full potential. With its moisture protection and rugged design, you can confidently explore various environments and capture extraordinary shots without worrying about damage. From landscape photographers to studio professionals, the possibilities are endless.
Here are some scenarios where the Canon EOS 1Ds Mark III Body can be your ultimate companion:
Invest in the Canon EOS 1Ds Mark III Body and embark on a remarkable photography journey. Unleash your creativity, capture stunning visuals, and express your unique perspective like never before. It's time to take your passion for camera & photo to new heights with this remarkable piece of technology.
camera type: reflex, matrix format: Full frame, number of effective megapixels of the matrix: 21.10, viewfinder type: reflex (TTL), lens mount: Canon EF, image stabilizer (photography): none, screen size: 3 ", screen: two screens, work in viewfinder mode, fixed, protection: moisture protection
- 1. Properties of the matrix in terms of color reproduction and white balance; 2. Convenient interface; 3. The largest viewfinder; 4. Batteries on 18650 cells, restored by a simple replacement of the assembly, which is enough for more than 1300 frames; 5. The minimum shutter lag, and the shutter itself is of a different level; 6. Dust and moisture protection; 7. Very convenient settings for yourself; 8. The last of the cameras, then came the movie cameras; 9. Good autofocus, if you understand its capabilities; 10. At ISO 100, it produces frames that even today are not inferior to top copies in terms of color reproduction and picture beauty.
- 1. Weak paint coating, unlike the first five and 1ds2 2. You can scold the screen, but who knows how to take pictures and this is more than enough. 3. Weak buffer by today's standards. 4. It's hard to carry every day. 5. Max iso 3200; 6. Attracts attention.
- Not everything we want to have can make us happy! Looking ahead, I want to say that buying this camera was a big mistake, although it was not spontaneous. What I wanted to get: 1) Better than 5D,6D picture 2) Better ergonomics 3) comparable or better autofocus
- 1) The size and weight of the camera, comparable to the first digital cameras from the 2022s, excludes any use, except for installation in a studio on a tripod (I'm serious, if you need versatility, take any 5D + a good battery pack). Regarding the new units of kenon, I also do not understand their meaning when there is SONY A9. In fact, this camera will gather dust on the shelf 90% of the time, you needed a whole backpack to carry it! 2) autofocus is worse than even in 5D Mark 2 that is tracking. what is static, you can read about it on the forums, a recognized manufacturer's defect in the 1D and 1DS series, which was corrected only at the request of the buyer - accordingly, most cameras on the secondary have problems with the focus of an unrecoverable nature, since the camera is no longer officially serviced. 3) The real problem is to find any spare parts in case of a breakdown (keep in mind that the camera is very rare), even just the original shutter is unrealistic to find. 4) There is practically no difference in the RAW picture between 1DS Mark 3 and 5D mark 2. Yes. 1DS has a slightly more accurate white balance. slightly cleaner and more monochrome noises, more noble colors initially, but all this can be displayed in post-processing and the difference in the picture definitely does not interrupt the difference in price and convenience. All examples on the Internet with rave reviews are the result of deep photoshop and a psychological desire to justify such an expensive purchase. 5) Terrible screen for color reproduction and sharpness. Much better in 5D2. 6) Professional ergonomics - I personally found the 5D2 much more convenient and logical. 7) Real frame buffer - 2 frames in RAW, possibly also a marriage, since according to the documentation it should produce a burst, if not a fast one. 8) no autofocus in Live View 9) The shutter is incomparably louder than any modern camera.
- Color quality, dynamic range, focus accuracy, build quality, recording on two cards simultaneously in different formats, live view, lens alignment on the carcass, excellent white priority, number of frames per charge, two configurable burst modes, z. U. on two accumulators, in a set the power supply unit for studio. There are no stupid auto modes, this is not a toy for an amateur. In general, almost everything is configurable.
- Dimensions, weight, in the bright sun sometimes the focus point is not very clearly visible, it slowly displays the frame just taken, the screen today is rather weak in resolution, a small buffer for high-speed shooting.
- QUALITY MANUFACTURING
- White balance smears Autofocus smears Requires a lot of setup and getting used to
- By far the best I've seen from a 35mm DSLR. although they say 1dx is better, but there are fewer megapixels, more iso. cost is approximately one. for me, it was megapixels that decided everything - for printing large formats and cropping in Photoshop.
- There is no ISO more than 3200, but 3200 is working. (I usually shoot no more than ISO 400 on any cameras).
- The camera entered the market in 2022, as a reference one, the cost is about $10k, the designers have invested to the maximum, respectively, even taking into account the “obsolescence”, the camera allows a professional to earn quite comfortably. After three + years of hard work, the case and outwardly looks like new at 4 +++, with the same service life, rubber would peel off from Nikon (he worked with Nikon for 9 years), and with Sony all the paint from the case, look at what is sold on ebay in which condition. In the camera at the level of iron, everything is enough for me, everything is fine with overexposure and white in the bright sun, the dynamic range is excellent, with reduced contrast you can immediately shoot in jeeps, two raw sizes, two card slots, I shoot sports and cars at speed on test drives without problems at speeds over a hundred, everything is sharp . out of a thousand frames of misses, there can be 10 frames . you need to understand how autofocus sensors work, they are not the same as on modern cameras, but they are quite working and rarely fail . There were misses in focus, back focus was removed by adjustment on the camera. The picture pleases, of course, the in-camera software is behind and will not delay shooting in jpeg in low light, but when shooting in RAW, there are no special problems, because external software and modern processing algorithms do quite well, the detailing is decent, the files are larger than Nikon gave out, because they are more informationally rich and in general I like the drawing and plastic of the camera.
- A small slow buffer would not indicate shortcomings, the camera initially supports flash drives no more than 32 gb and yes, with old flash drives it slows down freeing the buffer, when reporting, you may encounter a buffer overflow and wait . ! TREATED! On a modern fast flash drive 64+ gb, which cannot be formatted on the camera, we create folders on the computer copied from the old formatted one. Next, clean the modern flash drive not by formatting, but by deleting all the photos from the flash drive. Creating new folders from the camera will be supported…. With new modern flash drives for video, the buffer does not slow down, in a small frame up to 18 frames in a series of 6k per second it is quite comfortable, in a large frame during normal shooting it is not in a series without brakes. There is a threshold of illumination at which the camera “falls silent” does not give a picture, such as deep night darkness in the sky, but if there is at least a little light and the same night sky at least a light blue night, then the camera works out, equals stretch in modern software. It may not be ideal in nightlife, but in theaters in restaurants you can work at ISO 1600, 3200 is enough if you have stabilization in the telephoto and fast zooms, especially when working with flash.
- AF accuracy reliability performance quality picture quality
- not very high ISO slave and so it’s just that ISO is probably not enough
- Ideal for subsequent responsible printing.
- Weight. requirement for optics.
- - Moisture protection - Ergonomics - Fast autofocus - Dual card slot - Good autoBB
- - Noisy at high ISOs, inferior to 5D Mark II by a couple of stops - Terrible screen, 230,000 pixels. Can't rate the resulting image. - Like all units, it is quite heavy, in conjunction with zoom-elks it turns into a projectile from the gym
- picture, body protection, fine camera settings
- screen, direct control of camera settings, which can be accidentally knocked down even when shooting in a studio, when there is no desire to constantly check them during shooting. Weak paint coating, easy to scratch with the same plaques on the hand strap.