📷 MEKE 50mm T2.2 Micro Four Thirds Cine Lens: Large Aperture, Manual Focus, 4K Compatibility with Olympus, Panasonic Lumix, BMPCC 4K, and Zcam E2 Cameras Review

I have Meike T2.2 12mm, 25mm and 50mm lenses. This 50mm lens almost always stays with my camera. Great depth of field, sharp and detailed contrast and colors. It has some CA in very high contrast areas, albeit much less than the 25mm lens.

These lenses at $400 each are an absolute steal! They are made of solid aluminum and have a very high quality finish. Combined with the Tilta Nucleus Nano, this is an amazing lens. I also bought the 12mm and 25mm lenses and plan to get all 6 once the 65mm lens comes out. Additional information: - The minimum focusing distance is 2 feet or 60 cm.

I'm so excited that Mike finally released this focal length. I have all the others in the set and this one is by far the best at separating the foreground from the background. The focus breathing is very slight and matches the color of the others in the set exactly. Like the others, this one is made entirely of aluminum, with buttery-smooth focus and a click-free aperture, just like a real cinema lens should be.

To say that this lens is very, very good is nothing to say! It's a very well built and really nice lens that can be mounted on any camera. Despite its compact size, the image quality is truly cinematic with smooth bokeh and lens flare control. Focused breathing is literally not a factor. Despite all that, the realization that such a lens can be had for less than $400 is a real boon to any independent filmmaker working on a tight budget. The entire line of T2.2 cinema lenses comes at the same…