Header banner
Revain logoHome Page
strathmore charcoal white bound sheets logo

Strathmore Charcoal White Bound Sheets Review

3

·

Very good

Revainrating 4.5 out of 5  
Rating 
4.3
📄 Art Paper, 🎨 Painting, Drawing & Art Supplies

View on AmazonView on ЯM

Media

(3)
img 1 attached to Strathmore Charcoal White Bound Sheets
img 2 attached to Strathmore Charcoal White Bound Sheets
img 3 attached to Strathmore Charcoal White Bound Sheets

Details

BrandStrathmore
ColorMulticolor
MaterialPaper
Sheet Size9 x 12
Sheet Count32

Description of Strathmore Charcoal White Bound Sheets

Intended for use with charcoal or pastel, but also excellent for use with pencil or oil crayon. Acid Free. Made in the USA. 64 lb. / 95 gsm

Reviews

Global ratings 3
  • 5
    2
  • 4
    0
  • 3
    1
  • 2
    0
  • 1
    0

Type of review

Revainrating 5 out of 5

Ideal for charcoal and oil pastels.

Of all the Strathmore papers I've used, this is by far the best. Newsprint isn't bad either. The texture of this paper is perfect for charcoal. I've used other brands of carbon paper and it works. I have also used this paper for oil pastels and it is excellent. The texture is perfect for oil pastels, noting that the pastel color goes further than other papers. I just wish there were more leaves.

Pros
  • Acid Free.
Cons
  • Not bad, but...

It has a charcoal tooth which I use with graphite but wish they made charcoal and pastel paper in a thicker version. This paper is very thin and I prefer thick paper. I usually use watercolor paper and velor, which work well. However, with velour, you must first sketch your artwork and then transfer it to velour, as you CANNOT erase on velour. It's like working with watercolors, but even less forgiving. And ALWAYS start with velor from lighter to darker advertising layer. I like the end effect,

Pros
  • Made in USA.
Cons
  • So far so good

Revainrating 5 out of 5

Great paper, great texture.

This paper is great, its texture creates small "rectangles" in the pattern which does 3 things: (a) The embossed bumps "capture" the material so that the texture better becomes the charcoal etc. on paper, and (b) the indented bulges form small "indentations" in which the pieces of charcoal are retained, allowing the erasure to be gradual (not rising all at once), and most importantly (c) The raised/lowered pattern produces detail with "maximum resolution" so you don't get too lost in the…

Pros
  • 64 lb / 95 g/m²
Cons
  • Not sure