Review on Integrated stereo amplifier YAMAHA A-S301, black by Adrianna Jaroszak (A ᠌

With my first Yamaha, I deliberated for a while, read a ton of material, and finally settled on Yamaha. A stabilizer can help with the hum, and the scent is only noticeable if you sniff over the amplifier at maximum volume, but otherwise, a new amplifier would be great. Perhaps he'll get that there are no noises at idle and the only problem is that the volume has to be turned up quite a little for the regulator step to be reduced. This is my second modern amplifier, and like the first one I bought, the sound is exquisite. The perfect balance of strength and finesse. If the record is poor quality, the unaltered sound will reflect that. As a result of his influence, I found myself enjoying Bach after previously finding it oppressive and tedious. In addition, there were many sounds on other songs that I had never heard before. I want to keep listening to this because it's a miracle. Naturally, he makes a lot of noise by making pressure hoo, and the volume control doesn't even go halfway. No oatmeal! Even in really complicated pieces, he meticulously figures out how each instrument will fit. Everything is in order and under control. No subwoofers will be used if the recording contains bass; otherwise, we apologize. You'll never need to change the settings because the amp is always at its peak performance in Direct mode. Sven AVS2022D stable power supply, Pioneer PD-50 source, Oehlbach NF 1 Master connector, Cambridge Audio Aero 2 speakers, QED Classic 79 speaker cables. Amplifiers can outperform those costing three times as much with a few tweaks to the power system and the replacement of stock capacitors. Well done!