In general, the lens will suit everyone except for professional portrait photographers (this category will have to carry fixes, although they themselves already know this). For everyone else, an excellent tube, in principle, for lack of a better one, you can put up with an inflated cost. Do not buy a light filter right away, most likely you will not need it. You shouldn’t drag this lens into the forest-mountains, after all, plastic is not metal, if you break it, you’ll be upset, because it’s really expensive, you took a steam bath for a month, drowned the toad of greed in your soul and bought it - after all, we live once! Often overexposed. Flash (and knowledge of flash) will greatly add to the results of the glass. If you don’t pull a bucket of fixes, this lens will help solve problems in most cases. After the purchase, now I’m only thinking about buying a 24-1.4 fix (for group photos), another 16-35 lens, although good in its own way, but in such a wide angle there seems to be no big need (for already owners of 16-35 - these lenses are like brothers, only the corners are different, they have all the features in common, in general, think about whether you need it - maybe it’s better to think about a good fix). And it is desirable to use this lens on a penny and no less, at 600 it is mistaken too often. In general, sometimes its "fragility" is really annoying - you wonder if you can take something cheaper for shooting (like 24-105 / 4 from a whale), especially if you have to shoot almost for free at the request of the management.
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