- Excellent qualities for videography: sharpness, silence, dependability, and portability.
- Calculating dd, also known as the aperture ratio.
- razor-edged glass
- Made to an extremely high standard. Good zoom range. Colors that are juicy and "elech." Excellent crispness. Stabilizer.
- Chrome can exhibit some visible anomalies at times.
- There are practical focal lengths, constant 4, a stabilizer, a lens hood, and a case present.
- It is unfortunate that the lens lacks internal focusing because the minimum working aperture on a crop is 5,6
- Small form factor, low weight, abundant focal length options, rapid autofocus, built-in stabilization, solid construction (no backlash)
- Big distortion; very poor work out in backlight; strong lathering on an open hole. Bad for landscape photography because it lets in too much ambient light. There is significant distortion when shooting architecture with a 24 mm lens. Not a portrait lens; it "soaps" extremely heavily on a cutout. The stabilizer is far less effective than the 70-200 2.8 L II. The noise level is also quite high.
- The IS, FR, weight, L-ka, and positive Provides shielding from airborne debris and liquid intrusion (rubber seal on the bayonet). bokeh.
- I laughed out loud at this hood. The trunk will drop off with a good shaking, but this is already rather dramatic. The zoom ring is really small, but I don't find that to be a problem.
- Versatility
- Issues with the Stabilizer (see comments).
- The usual amateur photographer's entire range of focus lengths is covered by a universal reportage lens. an effective optical stabilizer sensible dimensions and weight (compared to 24-70). Constant aperture, all focal lengths at f/4 are fairly crisp in the center. It is noticeably clearer at 24mm at f/4 (and throughout the entire field) than it is at 24-70. No backlash compared to 24-70 in the enlarged trunk. Although the lens has trustworthy design and dust and moisture protection, it cannot be any other way considering the price and positioning of this professor.
- prominent 24mm barrel Compared to 24-70, distortion is much higher. Despite the name "Macro" being on the lens, sharpness is fairly poor at close focusing distances. nearly ineffective lens hood (included). The petal hood is only useful at 24 mm because it is worn on the trunk. The effectiveness decreases when the lens becomes telephoto; it will not even shield the front lens from fingers. Although its size with the hood on makes people near it worry, which frequently limits its use, the hood is effective on all FRs at 24-70. Sharpness at FR 35-70 mm is less than at 24-70
- Nice lens.
- Everything about that is standard for CANON.
- Fast focusing, good lens, and dustproof.
- It will break in 3–4 years, causing a diaphragm plume to fly and costing $8–9,000 in repairs.
- Adaptability, pinpoint accuracy, and vivid color accuracy.
- But chromatitis can't handle even one click of computer time.
- with a red ring and an L-series designation
- Authenticity and soap operas. Positive, as in not an L-series. Price.
- -first and foremost, sturdy; very well assembled; no wiggles or loose parts; + protection from moisture and dust -autofocus; my 60D has almost no trouble focusing; it's nearly flawless; -stabilizer; helpful, particularly when shooting videos; however, it makes a little noise during operation, so it's better to record sound from an external microphone If you can only get one lens from Canon, get it this one; it's a great all-arounder and can handle a wide range of situations. In my perspective, the pricing is reasonable.
- Consequences, of course, come with any advantage. Even despite numerous improvements, the image quality still lags behind that of more expensive zooms. When it comes to the strength-to-aperture ratio of the aperture itself, -chromatite is more than adequate.
- Little chromate, station wagon, sharp at F4
- F4 is absolutely dark, and inexpensive remedies are much better than bokeh blurring and drawing.
- Superb reportage lens with a wide range of uses. The existence of a reliable stabilizer. Immediately apparent as being quite rapid. Very little weight. Constant brightness. An airtight and waterproof construction. Intense focus in the middle of the screen. Good portraits can be taken with a 105mm lens. Cost is reasonable.
- Excellent 24-30mm barrel for its caliber. Everything is fine between 30 and 32 mm. False prophet. There isn't a trunk stopper. I wish it had an aperture of 2.8, but I suppose we get what we pay for. When you crop, you lose the ability to use a wide-angle lens.