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Type of review

Revainrating 5 out of 5

The best thing Ive ever used, a great item for everyone!

I purchased a 50D kit EF-S 18-200 3.6-5.6 IS about a month ago. A month later, I discovered that my 18-200 (which is an excellent lens, by the way) is not as crisp as I would like. Within a few weeks, I sold them and bought an EF 24-105 f/4L IS USM. Moving from 200 mm to 105 mm was challenging, of course, especially since I enjoy photographing reportage. Even if 24-70 is already too short (for me personally) and even without a stabilizer, I considered taking it. Nonetheless, 24-105 L is…

Pros
  • focal length range, a subpar aperture, construction, and sharpness (I really like sharp objects) swift changeover to MF general reporter, as well as a stabilizer, naturally
Cons
  • Before I realized, everything was completely fulfilled.

Revainrating 5 out of 5

Reliable purchase, guaranteed to be a good purchase.

In fact, if you're into video and want to obtain reasonable quality videos without additional professional body kits like a steadicam, slider, etc., then the only option you have is the Canon 24-105 lens (the 70-200 f/2.8 L IS doesn't count, as it covers a different range of focal lengths). Getting close to or far from your subject is a breeze thanks to the zoom ring's ergonomic design and silky smooth operation while shooting handheld. After precisely focusing on the object in the zoom preview

Pros
  • The lens has become so popular that few people are aware of its existence, despite Canon having released a number of cameras capable of recording video.
Cons
  • This lens has only one flaw—its aperture ratio—that prevents it from being used by professionals.

Revainrating 4 out of 5

Good product, not disappointed.

A decent SHARP working lens for taking straightforward, unfussy photos of a variety of subjects on a daily basis. does not soap, and focuses swiftly and precisely. On 105mm, there is bokeh that appears to be quite good. It falls short (just in my opinion) when compared to 24-70 in the image. If fixes from a hole 2.8 (not L, of course) may be compared to 24-70 in the image (also IMO), then this one still falls short. The focal range for a whole matrix, however, is still in more demand than…

Pros
  • The most popular focal length range for a complete matrix All focal lengths produce remarkably sharp images. Inclusion of a stabilizer (you never know - someone definitely needs it). Fast and precise focusing can be achieved in practically every situation. a modest mass
Cons
  • Although for a 4.0 hole and the output image it is not quite good, the price is not high enough. Although there is adequate color reproduction, the image does not have vibrant hues.

"more sweeping and expansive!" — for the hedonists. Aperture "not very great"? Relative void, number 4. Inquiring minds want to know: what is this? It's not common knowledge. Whilst a stabilizer is available, it is not recommended that it be used. The best of the best! Funny and illiterate. You should decide for yourself if this lens is necessary. There is no free trial period for potential customers. Consult an expert? The only acceptable response is "How do you live without it?"

Pros
  • You won't need a flashlight; focusing is remarkably perceptive and precise for how little light there is.
Cons
  • Is there anything bad that can happen if you make a deliberate decision?

Revainrating 5 out of 5

The best price for such a product, I will buy more!

If you decide to take it, by the way, the cost is not prohibitive at all and is quite reasonable. However, it has a stub and a far wider range of focal lengths than the 17-40, which makes up for its higher price. There is only just about enough room for one raspberry indoors on a crop and then barely in the latitude on the street that is 17, which is 24. Even in this price range, there is just a 70-200mm lens; nevertheless, using that as your primary lens is illogical, therefore the 24-105mm…

Pros
  • Sharpness, a stabilizer (a sharp handheld shot was acquired at a shutter speed of 1.3 seconds), and a focal range that is practical for use were all present in this camera. If you are concerned about the weight of the camera, my recommendation is that you use the Jupiter 21M with the 450d setting. The camera is perfectly balanced.
Cons
  • Nobody seemed to notice the fact that the electric sound had the most distortion when played through 24 barrels and 105 cushions. I won't say that it throws me off too often because the program has it under complete control, but it's definitely there. Because almost everything, from the ear to the moon, is sharp, it is important for me to choose the background for the objects very carefully. If I want there to be less flu, I must do this.

Revainrating 2 out of 5

Dissatisfied with this product, bad to use.

In spite of the conflicting opinions expressed by reviewers, I went ahead and purchased this lens. What I want to point out is that the 24-105 IS LESS TO THEM IN PICTURE QUALITY, and it's not about crooked hands, believe me, he shoots the same way, like a whale 28-80, and sometimes worse, but then a whale costs a penny, when used in conjunction with the Canon 600d and then the Canon 5d Mark II. The 24-105mm lens should not be designated as a "L" lens because it is unqualified for use in…

Pros
  • The lens is well-made, has a wide range of useful focal lengths, produces vibrant and natural-looking photos in good light, and has a steady, reliable, and steadying effect. That's probably all there is to it
Cons
  • In other words, if you use a lens with the same focal length and aperture (say, F4 and $50), you'll get dark images at both F-numbers. up to F5.6, chromatic aberrations are present, but after that they disappear. After that, everything is normal except for some minor foaming along the lens's open aperture's seams. A poor choice for use in video production (paradox)

Revainrating 5 out of 5

Fits the description completely, very satisfying.

Fantastic lens for any and all situations! The most significant benefit it offers is its adaptability. It was the 400D that I used to shoot with, but now I use the 5D mark II. Despite the fact that this lens was obviously intended for full frame, chromatic aberration is easily discernible at a resolution of 22 megapixels. I believe that if you use it with a device that has a lesser resolution (for example, the 5D), then you won't run across this difficulty. I am extremely pleased with it, and I

Pros
  • To begin, its adaptability, as it can be used in a variety of contexts. Rapid ultrasonic focus. Dust-moisture-proof (repeatedly removed them in light rain, everything is ok) (repeatedly removed them in light rain, everything is ok). For such a zoom, the image has good clarity and color reproduction. The stabilizer is excellent in every way!
Cons
  • There are not very many of them: The absence of a zoom ring lock at the initial position of 24mm (the lens falls out on its own weight, however the ring moves pretty elastically, but not tightly (as it should be)) Chromatic aberration that is quite strong when shooting full frame at 22MP resolution.

Revainrating 5 out of 5

Great quality, happy with it one hundred percent!

taken in Las Vegas in 2022 in conjunction with 40D. Savings of roughly $200 were made at the expense of the guarantee (canon has its own in the 2022, not worldwide). It was the only lens for a few years before being replaced by the 10-22 and now the 16-35. went through rivers and fires without failing. The focus ring started to groan when we got to South Africa (there was a hell of a wind in the deserts of Bolivia, quite expected in conjunction with fine sand). I gave it to the service, and…

Pros
  • fantastic value for the money. I'd even say it's a great value for the money for a universal lens. a kind of middle level workhorse.
Cons
  • Yes, but also a firm no. MB is bulky, but L must pay for this.

Revainrating 5 out of 5

The perfect product for any user!

I did a lot of reporting and shooting on it, both outside and within the studio. The amount of marriage was almost completely eliminated, and it focuses wisely in contrast to my other glasses (18-55, 50 1.8, and 55-250), which have a 1 in 100 miss rate. and I'm to blame for it. Sadly, the crispness is insufficient. The hues are pleasing. Although ergonomics come first, the zoom ring could be thicker. I took a fresh one and tightened the rings. Heavy but that's only a plus

Pros
  • focus hit was almost 100%, USB, focal lengths, and tenacity.
Cons
  • Even on the crop, you can see a loss of crispness in the corners; I had hoped for better.

Revainrating 4 out of 5

Everything is fine, there are only minor drawbacks.

Throughout the time that I was making use of it, the idea of selling it never crossed my mind. As though I had made an effort to uncover flaws in it myself. I looked for it and was successful. But I always made sure to take a step back and give it a fair assessment. And each time I came to the realization that it was something I required. pretty practical for me in terms of focus lengths. It's a good location for shooting reportage. This is significant to me on a personal level. "razor-sharp"…

Pros
  • Reliable. in terms of focal lengths operational. The stabilizer is effective in performing its function. at 105 mm from one tenth of a second. 105 millimeters produces very high-quality portraits. Even more so for a studio. Nothing comes loose or jiggles in the copy that I have.
Cons
  • Historically, a score of 4.0! So you should just learn to live with it. And try not to take offense at what he says. He does not dislike you. It indicates that it should not be done. It has no bearing on the topic at all. Just one rung down from the top of the ladder. Not dust and moisture resistant. But, if you handle it poorly, the submarine will sink in the water.

Revainrating 4 out of 5

A good product, I advise you to try it.

This lens is practical, sturdy, high-quality, adaptable, versatile, and. dull. For a period of months, I combined this model with a variety of lenses for all of my photography needs, including snapshots, portraits, and even some wide-angle work. There are still many excellent photographs to be taken, but none that make you gasp in wonder at the technical prowess of your camera. It has been experimentally verified that this glass performs inferiorly to lenses designed for longer and shorter…

Pros
  • Cost-effective, flexible, and lightweight.
Cons
  • A little on the dim side, and, once more, too adaptable, which prevents you from taking the best potential photos at certain focal lengths and stifles your artistic freedom.

Revainrating 4 out of 5

As such, there are no disadvantages, it is convenient to use.

Choose from a variety in the store (!) This L-ka will not produce F4 images that are pleasing to the eye in every way, nor will it produce images like those from the 70-200 F4IS, which breathe and ring with sharpness. But, 90% of the time having a 24-105mm lens is more preferable to having no frame while searching for the ideal lens. (Total: a strong four, possibly with a bonus.)

Pros
  • Adaptable, which is a benefit. Ideal for a staff position. Lightweight (compared to 24-70L as a popular option) (compared to 24-70L as a popular alternative). Stabilizer (although the prior generation) (albeit the previous generation).
Cons
  • Universal and negative effects result from this. On a 21MP FF sensor, the lens is operating at its maximum resolution, resulting in substantial chromatic aberrations (3–4 pixels thick) and geometric distortions at the far end. With a rotating front lens and a "vacuum cleaner"-style design, it's unfortunate that the casing could not be made entirely closed. "Bokeh" is a type of calculating, inanimate computer. a little bit overrated.

Revainrating 5 out of 5

The quality is at the highest level, be sure to try it.

Everyone who travels frequently and does not want to lug around a luggage full of equipment, as well as everyone who works as an assistant for an expert amateur or even a professional, has to have the lens. My friend has often persuaded me to go with only cameras that have a fixed focus; it is unarguable that these cameras have a superior level of sharpness; but, I am not willing to risk losing numerous lenses that cost fifty kopecks each by taking them on a vacation and drowning them in the…

Pros
  • Price, adaptability, and overall quality It's crucial to consider size. fits within the most compact container that is both shockproof and waterproof that I was able to find recently.
Cons
  • missing from this category entirely. I immediately checked "lathers at 4" — it does not lather — and "loses sharpness at the edges" — reliably checked when removing the grid — it does not lose sharpness. After reading the complaints in other reviews, I bought the product and put it to the test. Regarding the issues with the "stabilizer," everything appears to be in working order at this point. I hope it doesn't break as it broke on my sigma 18-200

Revainrating 4 out of 5

Practical product, nothing to complain about.

After making the purchase, I did some testing with tables right away and arrived to the following conclusions: 1) It does not wash the edges of the frame; rather, they are just darker (also known as vignetting), which lowers the clarity of the image near the edges when saved as a jpeg. 2) I can vouch for the fact that the aperture of the lens 50/1.4 F4 is equivalent to the aperture of the 24-105/4 F4.5, which means that he is darker. My copy of the lens is sharp at F4, and as the aperture is…

Pros
  • Craftsmanship, a stabilizer, and precision beginning at F4
Cons
  • Vignetting

Revainrating 5 out of 5

A very high-quality product, I take it not for the first time.

I've read that many seasoned photographers have found issue with this glass, which has left newbies like myself confused. I often stress to newbies that this is a fantastic glass. I use a Canon 500D, and the quality of this lens is incomparable to that of a whale's eye. Those. There's a sense that two cameras are being used. The lens has a smooth design, a fast focus speed (almost never missing), great hues and contrast, a reasonably large aperture (relative to a whale), and a stabilizer that…

Pros
  • Superb performance; wide dynamic range; crystal-clear display.
Cons
  • The price may be a little hard to wrap your head around, but it's reasonable considering the value you receive.

Revainrating 4 out of 5

The product is really good, I'm glad I bought it.

For the money, a superb full-time zoom that is sharp throughout the entire field at an open aperture is so well-liked that it is even acceptable to write carelessly about its advantages. To speak more about the drawbacks: When viewed at 24mm, distortion is off-scale, passable at 35mm, and once more at 50mm, but the corners already exhibit negative distortion, which becomes worse as you get closer to 105. It is a little soft at 105; the ringing begins around 5.6. Considering my experience, I…

Pros
  • Stabilizer, available focal lengths, all-around sharpness, and adaptability
Cons
  • Image, Cost, and Distortion (perspective distortion)

Revainrating 5 out of 5

I didn³'t expect the quality to be this good.

Convenient for use in photographing news events. Best for going places. Of course, you can't expect him to take a masterpiece, but at F/4, that makes sense. Who cares about portraits when he may use a larger aperture and a longer focal length? Although not great, a portrait with some focus and blur at 105 mm is doable. The stabilizer is there, but you shouldn't use it. The image including him is far less desirable. On a full frame, you can even increase the ISO to 6400 without any noise being…

Pros
  • Focal lengths available in every standard. The appearance is rock solid. light as a feather. Comfortable to the touch. Rapid and silent autofocus. The result is not unsatisfactory. cheap cost.
Cons
  • This is a small lamp. He wouldn't be asking anything if the lens were F/2.8. It's a bad growing environment overall.

Revainrating 5 out of 5

The quality exceeds all expectations, I recommend to buy.

It is common for people to criticize the "disgusting" bokeh and the lack of creativity in his drawings as flaws in his work. There are solutions available, brothers and sisters, for creative photography (preferably top ones). In regards to the artwork, it is "electronic," meaning that it does not contain any form of art, and the quality and material from the L series are completely. "Bokeh" . Yes, probably not, but there is a gray area that can be digested without any problems and does not…

Pros
  • Autofocus speed more than 5 Color rendering Nice job stub
Cons
  • unable to locate

Revainrating 5 out of 5

Wonderful quality, one hundred percent satisfied!

I opted for it over the Canon EF 24-70f (2.8L USM). Despite the reduction in aperture ratio, I was given a wider choice of focal lengths and was able to save a respectable amount of money. And to the feast, and to the globe, and to nice people, this lens sits on the Canon EOS550D crop as a staff member, adaptable to any and all shooting situations. Holding down the aperture and increasing the ISO will help with all of his "childhood ailments," and I hope the photography community will forgive…

Pros
  • Robust construction, quick motor, smooth operation, pleasant grip, stabilizer, attractive design, affordable price; fast and persistent autofocus; crisp; relatively large range of focal lengths; good color reproduction; great picture when recording video.
Cons
  • Commonly, apertures do not have a large enough angle of view.

Revainrating 3 out of 5

Im not particularly happy, but basically everything is fine.

I'll tell you in detail here. I made the transition to it right away after I bought FF after the harvest, and I bought it in a kit configuration from 6d. Prior to then, it had been set at 600 dalasi and 17-55,2,8. I was anticipating a significant change; however, despite the fact that I am easily swayed by others' opinions, I was even let down by the results. After the first wedding he photographed, almost all of the pictures taken indoors were used in the wedding album. When compared to using…

Pros
  • The focal length spectrum
Cons
  • Colors, you say?