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canon ef 35mm f/1.4l usm wide angle lens for canon slr cameras - white box (brand new in bulk packaging) logo

Canon EF 35mm f/1.4L USM Wide Angle Lens for Canon SLR Cameras - White Box (Brand New in Bulk Packaging) Review

22

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Very good

Revainrating 5 out of 5  
Rating 
4.8
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img 2 attached to Canon EF 35mm f/1.4L USM Wide Angle Lens for Canon SLR Cameras - White Box (Brand New in Bulk Packaging)

Details

BrandCanon
Lens TypeWide Angle
Compatible MountingsCanon EF
Camera Lens Description11
Maximum Focal Length35 Millimeters

Description of Canon EF 35mm f/1.4L USM Wide Angle Lens for Canon SLR Cameras - White Box (Brand New in Bulk Packaging)

Product Overview

The Canon 35mm 1.4L Angle Cameras is a remarkable lens designed for photographers seeking exceptional image quality and versatility. With its ring-type UltraSonic Motor (USM) and advanced features, this lens offers precise autofocus performance, making it a reliable choice for both professional and amateur photographers.

Key Features and Benefits

1. Impressive Optical Performance: With a focal length of 35mm and a maximum aperture of f/1.4, this lens allows for excellent low-light capabilities and stunning depth of field control. The aspherical lens elements and inner focusing system contribute to high image quality, while the full-time manual focus override provides additional creative control.

2. Wide-Angle Versatility: The Canon 35mm 1.4L lens is designed for EF mount cameras and is an ideal choice for capturing wide-angle shots. Whether you're shooting landscapes, architecture, or group portraits, this lens offers a wider perspective that adds depth and dimension to your images.

3. Precise and Quiet Autofocus: Thanks to the ring-type UltraSonic Motor (USM), this lens delivers fast, accurate, and virtually silent autofocus performance. You can rely on its quick response and smooth operation to capture those spontaneous moments without any disturbance.

Applications

This versatile lens can be used in a wide range of photography genres, including but not limited to:

  • Street Photography: Capture the essence of bustling streets and urban environments with the wide-angle capabilities of this lens.
  • Environmental Portraits: Create compelling portraits that incorporate the surroundings, giving a sense of place and context to your subjects.
  • Low-Light Photography: Take advantage of the f/1.4 maximum aperture to shoot in challenging lighting conditions, producing stunning results with minimal noise.
  • Documentary Photography: Whether you're documenting events, people, or social issues, this lens offers the versatility and image quality required to tell powerful stories through your photographs.
  • The Canon 35mm 1.4L Angle Cameras lens is a must-have for photographers who demand exceptional image quality and creative control. Its wide-angle capabilities, impressive optical performance, and precise autofocus make it a valuable tool for various photography genres. With this lens in your gear collection, you can unleash your creativity and capture striking images that leave a lasting impact.

    Ring-type UltraSonic Motor (USM). Closest focusing distance: 1 foot, The focal length is 35mm. f/1.4 maximum aperture. Inner focusing; floating system , aspherical lens , full-time manual focus. EF mount and wide-angle lens, Lens not zoomable.

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    Reviews

    Global ratings 22
    • 5
      19
    • 4
      1
    • 3
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    Type of review

    Revainrating 5 out of 5

    I'm very happy, it really is worth buying.

    I changed 16-35 f.4 to this fix, because I realized that I almost never use such a wide angle even when shooting landscapes. In conjunction with the aperture ratio and the figure of 35 fixes, there was nothing to think about. Happiness. Got pros: Aperture Definition sharp focus Colors Picture Without HA Some cons: On the open sometimes smears Less sharp in corners compared to 16-35

    Revainrating 5 out of 5

    Great quality, did not expect at all for the price.

    A very interesting focal length combined with a large aperture makes this lens, in my opinion, the most creative Canon L-fix. Worth your money. Pros below: Great big picture. Working open aperture. Sharp since 1.4. Fast focus. Build quality. Cons below: I want to write something here, but I can't. I can't think of anything. The price is not a disadvantage, but rather a feature.

    Revainrating 5 out of 5

    I do not cease to rejoice at the purchase, a very good deal!

    Great sharp lens. Nice soft bokeh. Sharper at aperture 1.4 than Canon EF 50 f/1.8 II at 1.8. Picture . well, what can I say, a fix is ​​a fix :) Bought for filming at home. Very satisfied. After buying lenses like this one, I don’t want to buy any others at all :)

    Revainrating 5 out of 5

    The best price for such a product, I will buy more!

    I exchanged 24-70 for a subject, realizing after buying it that "not mine. " It proved to be an excellent all-rounder on a crop (500d), on a full frame - just wonderful. Photo examples: With its pros: Surprisingly sharp in the open. Weight and dimensions are modest compared to other L-optics. Yes, the speed and accuracy of focusing, constructive, etc. , etc. , but! the main thing for which people give over 50 pieces is a drawing ! Volume, expressiveness, bokeh and color cannot but rejoice…

    Revainrating 4 out of 5

    It was a reasonable purchase, I will order more.

    I noticed that the review refers to the Canon EF 35mm f / 1.4L USM, but in reality I am writing about the Canon EF 35mm f / 1.4L II USM I have been using it for 7 months. I thought that itcomuld become something like a regular lens. Alas, it cannot. I am a beginner photographer, but I started with him and I will say that there is something tocompare with. I tried lenses from cheaper categories - heaven and earth. Ofcomurse the L II came out victorious. Night landscape with almost no digital…

    Pros
    • Aperture. I often shoot in the dark. Depth of field. When hit by focus, the picture is quite piquant A studio photo from him flies with a bang. Decently shoots architecture, rooms and furniture. Reporting at a short distance is fine, but zoom with a stabilizer will not replace. When processed in FS, the color keeps its color with dignity. Distortion? - What is it? Strong and reliable. The hood really saves.
    Cons
    • Misses autofocus at all distances high cost From time to time, lens settings fly off (and there is no panacea for this). Demanding on the camera. With a full frame, like the Mark 3 5D or 1D-x, it works exactly 2 times better and squeezes the equals twice as hard.

    from eLek there were only zooms that also proved themselves only from the best side (special rep 24-70 / 2,8L), but by purchasing this fix you most likely always want to forget even about the coolest zooms, believe me) I don’t have a sideways relationship with the trade in photographic equipment or specifically with Canon, I’m a simple amateur photographer . TAKE IT DEFINITELY .

    Pros
    • Aperture, sharp in the open, constructive, tenacious and fast autofocus, color reproduction .
    Cons
    • can't be.

    Revainrating 5 out of 5

    Best I have ever used, great product for anyone!

    The lens is ideal for reportage and genre shooting at dusk or in rooms with poor lighting, for evening and night landscapes, as well as booze and parties. Yes, yes, it is for capturing booze and parties that high-quality and expensive optics are required, no matter how strange it may seem! Ofcomurse, a banquet to a banquet is different. Ordinarycomrporate gatherings can be photographed with a soap dish - and everyone will probably get familiar insane pictures: red eyes, glaring moon-shaped…

    Pros
    • I was attracted by a rare combination of high aperture and an interesting focal length, which allows you to get high-quality pictures not only on a clear day, but even in a dark, cramped room or outdoors on a gray overcast evening, while working without a flash, at low ISO and with a short shutter speed. On cameras with a crop factor of 1.6 (most Canon DSLRs), this wide-angle "turns" into a 56mm lens with a field of view characteristic of the human eye. (Once upon a time, this is how I looked at the world and the domestic camera "Zenith" with the legendary "Helios 44"). Like the color rendition. The lens retains natural, vibrant colors and does not eat halftones. The sky on the horizon does not become milky white, its color smoothly changes from blue to light blue, without merging with the clouds. Shadows and poorly lit objects do not look like black flat spots, for example, on dark clothes, its folds stand out quite prominently. High sharpness and detail (the best performance at aperture 2.8), fast and error-free autofocus, a durable dust and moisture-resistant body are also pleasing. Kind thing.
    Cons
    • 1. The price, of course, is a bit high. But, given that this lens is probably not acquired by chance (went - saw - bought), but purposefully, with a certain calculation and a sober look at the price tag, its high cost cannot be considered a real disadvantage. A professional will “recapture” this money in less than a month, and an amateur will receive solid respect and respect for good pictures. 2. For single portraits, perhaps not very suitable. Is that - in full growth and to the waist. When shooting at close range, the facial features are somewhat distorted, and just enough to give him a completely idiotic expression (cool, in Photoshop this will not work). 3. Light bokeh, reminiscent of a slight Gaussian blur in Photoshop. Blurring the background "in milk" will not work. Perhaps this is not a drawback, but a feature of the lens. However, it is enough to highlight the foreground.

    Revainrating 5 out of 5

    The purchase brought only positive emotions.

    When buying, I chose between it, 24mm and 16-35 mm. Zoom immediately dismissed. Perhaps I came across one, but I lathered quite strongly around the edges, plus XA in the open. I liked 24 mm, but it seemed to me that it should be treated more carefully, the angle is wide enough and the edges distort noticeably. But 35 mm just blew me away! In the presence of several more L-series glasses, this one has become standard! The picture is simply amazing. The sharpness is excellent even on an open…

    Pros
    • Fix, aperture, L-ka, picture, sharpness, color, contrast, constructive, dustproof, moisture protection
    Cons
    • the lens cap is not comfortable when the lens hood is on, the price is clearly 25% too high.

    Revainrating 5 out of 5

    Excellent product, the best quality.

    Some emotions from buying this lens! Before that, I didn’t shoot on L, except for 70-200 f4, but it doesn’t even come close to the quality of the resulting picture of the 35th. On the full frame there is a small vignette and a bit of a barrel, but all this is corrected with one click in the lightroom, and sometimes it is not required at all. In general, if you want the best 35mm lens, this is it. No Sigma 35 is even close, although of course the price at the moment differs by 30 thousand…

    Pros
    • - Gorgeous bokeh -Excellent sharpness -Good looking - Fucking picture, just magical!
    Cons
    • -Indeed, the focus in difficult situations sometimes runs, because of this, mistakes are possible in the open (10% of 90) -Price

    Revainrating 5 out of 5

    The best I ever used, recommend it to everybody.

    Has some pros Sharp, contrasty, colors are good, focus is fast, picture is beautiful, well made. Works great in the dark. Its cons: Price and legs have to run. Follow the geometry of the image, it is already wide enough. Expensive, should cost twice as much.

    Revainrating 3 out of 5

    Thought it would be better, but overall not bad.

    When buying, there was a choice between two, both were with the same exhaust. Whoever takes it and thinks that 1.4 is a panacea for a dark room, then you are mistaken. Yes, L class glasses, but working apertures, I repeat from 2.8. And he also has a rough focus adjustment step, i. E. in the camera you can not correct the back or front focus, you just won’t get to the right value. In general, I use it, the picture from it is very decent, I put a CROSS on 1.4-2.5. By the way, 50 by 1.4 is sharp…

    Pros
    • Color rendition, pleasant bokeh, focal length, constructive.
    Cons
    • Soapy up to 2.2, open workers only from a short distance, and from long distances it’s not even clear where it’s sharp . On a full matrix up to 4, there is a very small flu, I repeat VERY, if the eye is in focus, then the ear is gone.

    Revainrating 5 out of 5

    Reliable purchase, guaranteed to be a good purchase.

    Previously, there was a drawback - a huge price, I took for ~ $ 1700 ! (this is 55 when $ was 32 each), now you can get it relatively inexpensive used in excellent condition for ~ $ 700 (for the same 55 Xe . =D ) If you are thinking about what to buy, this BU, or the 35mm 2nd version, there is no question at all - it’s very stupid to overpay almost 3 prices for the 2nd version, when this first version is very good, I would even say a legend to some extent!)

    Pros
    • - At full frame, the lens has just a super picture ! Unique plastic - among other 35s it is easy to understand what was shot with this particular lens. Some kind of a clear sense of cinematography, volume . - Pleasant soft bokeh, without this sharp puffiness, as it sometimes happens, for example, on the latest Canon 35mm lens for R-cameras (mirrorless). Moreover, the bokeh is strong for 35mm (well, because of 1,4f, this is understandable); - Sharp; - Focusing is fast, and inside (nothing moves outside); - Despite the previous plus - the small size and weight of the lens; - L-lens, which means security, a cool bag, and there was also a lens hood, although this lens has not needed it for 300 years .
    Cons
    • Chromatic aberration at 1.4 is very noticeable, but very soft, mostly going into a soft green. It's hard to call it some kind of big disadvantage. Who does not like it, it is corrected in the lightroom with just one checkmark.

    Revainrating 5 out of 5

    A good quality product, I rate this purchase perfectly.

    In addition to 85 1,2, it solves all the problems that arise in terms of a set of required focal lengths on a full matrix for portrait shooting. The blur is very pleasant and not familiar (for the better) for such a focal one! Very carefully with single half-length portraits - you should not come closer, distortions begin to appear. Perfectly conveys the volume of the picture, especially when shooting children. When buying, I tested 2 lenses - both are inferior to 1.6 in sharpness by 1.4. I

    Pros
    • Accurate color reproduction - very juicy and interesting picture Picture without backlight at 1.4 (at 50 1.4 this was observed) High micro contrast High resolution Almost no straight line distortion Focal for group portraits optimal Constructive and blend - definitely a plus! Fast focus! Light weight! Not a big depth of field - unusually nice for such a focal length!
    Cons
    • On the full matrix, vignetting is noticeable - a drop in brightness at the corners of the frame (on an otonic blue sky)! At 1.4 sharpness is 85%, at 1.6 - 100% Therefore, I try to avoid a completely open hole! Chromatic aberrations stand out at 1.4-1.6 but do not always appear . Focusing in the dark in the light of street lamps on secondary points is not accurate enough, sometimes it does not work at all (at 24-70 2,8L such a problem sometimes popped up).

    Revainrating 5 out of 5

    I do not cease to rejoice at the purchase, a very good deal!

    I thought for a very long time whether to buy this lens or not. There were already 3 L-ki, zooms, each of which can shoot at 35: 24-105, 17-40 and 28-300. But it was worth taking a few pictures, then all doubts disappeared. The difference in the drawing is striking! The picture is just wonderful, like in 3D. I enjoy photographs. Compared with Sigma 35, the choice is definitely in the direction of Canon. Many write about problems with HA and sharpness in the open. I didn't find any such…

    Pros
    • Very nice big picture. Gorgeous background blur. Excellent sharpness from 1.4. Small weight and dimensions.
    Cons
    • I regret not buying it sooner.

    Revainrating 5 out of 5

    I do not cease to rejoice at the purchase, a very good deal!

    I shoot full frame portraits. I used almost the entire line of L-fixes, there is something to compare with. For shooting indoors and for shooting pairs of must-haves. When 50mm is narrow, and a 24mm barrel, 35mm is the most! Sometimes there is a small vignette - but it does not bother me. Autofocus is tenacious, but not perfect. At dusk on the sides sometimes misses.

    Pros
    • One of the few L-k really worthy of attention. Sharp, great picture. The angle is optimal. Minimum distortion.
    Cons
    • Well, maybe the price.

    Revainrating 5 out of 5

    The perfect purchase for me, exactly what I was looking for!

    The percentage of shots that I like is much higher, even than the 50mm 1.2. The scenes take care of themselves. If you want - wide - come closer and get a portrait. The main thing is to keep the right distance. Moreover, the drawing is completely different than at 24-70 at the same focal length. I put it on and I don't want to take it off. I would recommend it as a staff member with whom you can leave the house without taking additional optics with you. Naturally, he will not perform…

    Pros
    • Definition. The drawing is incredible. Very well put together.
    Cons
    • Didn't even bother looking for them.

    Revainrating 5 out of 5

    An ideal product for any type of consumer.

    Fully reveals its capabilities on FF. I used it for a long time, for several years on the first penny. I bought for 40-45k (!), I don’t remember anymore. Because of its versatility, it stood almost constantly. Volume and color reproduction after 2.8 zooms is like turning on the light in your room. Been traveling - no problem. Unfortunately, when I bought a car, I needed money, I donated a camera and glasses. Before buying, they checked the glass, they did not find any dust or grains of sand…

    Pros
    • All conceivable qualities: volume, color, pattern, aperture ratio, sharpness, weight, beautiful lens hood, all-weather capability, speed. In skillful hands, sharpness is achieved throughout the field, minimal chrome, pleasant venetting and background blur. The most important thing is that the drawing is alive, has depth and plasticity. Quality is important - versatility: you can shoot slowly, and because of the fast focus, you can instantly catch the action.
    Cons
    • Within the limits of the objective physical characteristics of optics, they are practically absent.

    Revainrating 2 out of 5

    Not at all what I expected.

    To be honest, I did not expect such a set-up from canon. On the open soap, the most terrible, even on the old sigma 50mm by 1.4 there was no such soap, but it is worth considering that the latter is 6 times cheaper ! It’s not for nothing that Canon released the second version of this lens, they probably fixed something in it, but as for this particular lens, it’s a complete pass. Fortunately, now you can test everything by renting optics, thank God I didn’t buy this sanctuary before. I want…

    Pros
    • Light
    Cons
    • bokeh Terrible sharpness in the open and this is an L lens

    Revainrating 5 out of 5

    What a Dream - Camera Lenses

    With the introduction of the Mark II, the price of this lens has fallen dramatically in recent years. At $999, this lens is a lot more affordable for consumers (like me). This lens has always been my dream since I started photography four years ago. Now that I have it, I no longer need another lens with the same focal length. It is incredibly sharp and gives colors like in a dream. Bokeh divine. A small amount of CA is present in high contrast situations, but this can usually be corrected in…

    Pros
    • Maximum aperture f/1.4
    Cons
    • Expensive