Canon EF 35mm f/1.4L USM Wide Angle Lens for Canon SLR Cameras - White Box (Brand New in Bulk Packaging) Review
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Very good
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Details
Brand | Canon |
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Lens Type | Wide Angle |
Compatible Mountings | Canon EF |
Camera Lens Description | 11 |
Maximum Focal Length | 35 Millimeters |
Description of Canon EF 35mm f/1.4L USM Wide Angle Lens for Canon SLR Cameras - White Box (Brand New in Bulk Packaging)
Product Overview
The Canon 35mm 1.4L Angle Cameras is a remarkable lens designed for photographers seeking exceptional image quality and versatility. With its ring-type UltraSonic Motor (USM) and advanced features, this lens offers precise autofocus performance, making it a reliable choice for both professional and amateur photographers.
Key Features and Benefits
1. Impressive Optical Performance: With a focal length of 35mm and a maximum aperture of f/1.4, this lens allows for excellent low-light capabilities and stunning depth of field control. The aspherical lens elements and inner focusing system contribute to high image quality, while the full-time manual focus override provides additional creative control.
2. Wide-Angle Versatility: The Canon 35mm 1.4L lens is designed for EF mount cameras and is an ideal choice for capturing wide-angle shots. Whether you're shooting landscapes, architecture, or group portraits, this lens offers a wider perspective that adds depth and dimension to your images.
3. Precise and Quiet Autofocus: Thanks to the ring-type UltraSonic Motor (USM), this lens delivers fast, accurate, and virtually silent autofocus performance. You can rely on its quick response and smooth operation to capture those spontaneous moments without any disturbance.
Applications
This versatile lens can be used in a wide range of photography genres, including but not limited to:
The Canon 35mm 1.4L Angle Cameras lens is a must-have for photographers who demand exceptional image quality and creative control. Its wide-angle capabilities, impressive optical performance, and precise autofocus make it a valuable tool for various photography genres. With this lens in your gear collection, you can unleash your creativity and capture striking images that leave a lasting impact.
Ring-type UltraSonic Motor (USM). Closest focusing distance: 1 foot, The focal length is 35mm. f/1.4 maximum aperture. Inner focusing; floating system , aspherical lens , full-time manual focus. EF mount and wide-angle lens, Lens not zoomable.
- Aperture. I often shoot in the dark. Depth of field. When hit by focus, the picture is quite piquant A studio photo from him flies with a bang. Decently shoots architecture, rooms and furniture. Reporting at a short distance is fine, but zoom with a stabilizer will not replace. When processed in FS, the color keeps its color with dignity. Distortion? - What is it? Strong and reliable. The hood really saves.
- Misses autofocus at all distances high cost From time to time, lens settings fly off (and there is no panacea for this). Demanding on the camera. With a full frame, like the Mark 3 5D or 1D-x, it works exactly 2 times better and squeezes the equals twice as hard.
- Aperture, sharp in the open, constructive, tenacious and fast autofocus, color reproduction .
- can't be.
- I was attracted by a rare combination of high aperture and an interesting focal length, which allows you to get high-quality pictures not only on a clear day, but even in a dark, cramped room or outdoors on a gray overcast evening, while working without a flash, at low ISO and with a short shutter speed. On cameras with a crop factor of 1.6 (most Canon DSLRs), this wide-angle "turns" into a 56mm lens with a field of view characteristic of the human eye. (Once upon a time, this is how I looked at the world and the domestic camera "Zenith" with the legendary "Helios 44"). Like the color rendition. The lens retains natural, vibrant colors and does not eat halftones. The sky on the horizon does not become milky white, its color smoothly changes from blue to light blue, without merging with the clouds. Shadows and poorly lit objects do not look like black flat spots, for example, on dark clothes, its folds stand out quite prominently. High sharpness and detail (the best performance at aperture 2.8), fast and error-free autofocus, a durable dust and moisture-resistant body are also pleasing. Kind thing.
- 1. The price, of course, is a bit high. But, given that this lens is probably not acquired by chance (went - saw - bought), but purposefully, with a certain calculation and a sober look at the price tag, its high cost cannot be considered a real disadvantage. A professional will “recapture” this money in less than a month, and an amateur will receive solid respect and respect for good pictures. 2. For single portraits, perhaps not very suitable. Is that - in full growth and to the waist. When shooting at close range, the facial features are somewhat distorted, and just enough to give him a completely idiotic expression (cool, in Photoshop this will not work). 3. Light bokeh, reminiscent of a slight Gaussian blur in Photoshop. Blurring the background "in milk" will not work. Perhaps this is not a drawback, but a feature of the lens. However, it is enough to highlight the foreground.
- Fix, aperture, L-ka, picture, sharpness, color, contrast, constructive, dustproof, moisture protection
- the lens cap is not comfortable when the lens hood is on, the price is clearly 25% too high.
- - Gorgeous bokeh -Excellent sharpness -Good looking - Fucking picture, just magical!
- -Indeed, the focus in difficult situations sometimes runs, because of this, mistakes are possible in the open (10% of 90) -Price
- Color rendition, pleasant bokeh, focal length, constructive.
- Soapy up to 2.2, open workers only from a short distance, and from long distances it’s not even clear where it’s sharp . On a full matrix up to 4, there is a very small flu, I repeat VERY, if the eye is in focus, then the ear is gone.
- - At full frame, the lens has just a super picture ! Unique plastic - among other 35s it is easy to understand what was shot with this particular lens. Some kind of a clear sense of cinematography, volume . - Pleasant soft bokeh, without this sharp puffiness, as it sometimes happens, for example, on the latest Canon 35mm lens for R-cameras (mirrorless). Moreover, the bokeh is strong for 35mm (well, because of 1,4f, this is understandable); - Sharp; - Focusing is fast, and inside (nothing moves outside); - Despite the previous plus - the small size and weight of the lens; - L-lens, which means security, a cool bag, and there was also a lens hood, although this lens has not needed it for 300 years .
- Chromatic aberration at 1.4 is very noticeable, but very soft, mostly going into a soft green. It's hard to call it some kind of big disadvantage. Who does not like it, it is corrected in the lightroom with just one checkmark.
- Accurate color reproduction - very juicy and interesting picture Picture without backlight at 1.4 (at 50 1.4 this was observed) High micro contrast High resolution Almost no straight line distortion Focal for group portraits optimal Constructive and blend - definitely a plus! Fast focus! Light weight! Not a big depth of field - unusually nice for such a focal length!
- On the full matrix, vignetting is noticeable - a drop in brightness at the corners of the frame (on an otonic blue sky)! At 1.4 sharpness is 85%, at 1.6 - 100% Therefore, I try to avoid a completely open hole! Chromatic aberrations stand out at 1.4-1.6 but do not always appear . Focusing in the dark in the light of street lamps on secondary points is not accurate enough, sometimes it does not work at all (at 24-70 2,8L such a problem sometimes popped up).
- Very nice big picture. Gorgeous background blur. Excellent sharpness from 1.4. Small weight and dimensions.
- I regret not buying it sooner.
- One of the few L-k really worthy of attention. Sharp, great picture. The angle is optimal. Minimum distortion.
- Well, maybe the price.
- Definition. The drawing is incredible. Very well put together.
- Didn't even bother looking for them.
- All conceivable qualities: volume, color, pattern, aperture ratio, sharpness, weight, beautiful lens hood, all-weather capability, speed. In skillful hands, sharpness is achieved throughout the field, minimal chrome, pleasant venetting and background blur. The most important thing is that the drawing is alive, has depth and plasticity. Quality is important - versatility: you can shoot slowly, and because of the fast focus, you can instantly catch the action.
- Within the limits of the objective physical characteristics of optics, they are practically absent.
- Light
- bokeh Terrible sharpness in the open and this is an L lens
- Maximum aperture f/1.4
- Expensive